Blog Archives

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on an untitled 38” x 58” pastel painting, number nine in the “Bolivianos” series.  It still has a long way to go.

Comments are welcome!

Q: Was there a pivotal time in your life when you were forced to choose between two different paths? Do you have any regrets?

Barbara’s studio

Barbara’s studio

A:  In 1988 I was a Navy Lieutenant working at the Pentagon as a computer analyst. I hated my boring job! For about two years I had been taking drawing classes at the Art League School in Alexandria, VA and was rapidly improving. More importantly, I discovered that making art was endlessly fascinating and challenging.

After much soul searching, I made the scary decision to resign from active duty.  Sept. 30, 1989 was my last day. I have been a professional visual artist ever since and surprisingly (to me!), have never needed a day job.

However, for fourteen years I remained in the Naval Reserve, working in Virginia one weekend a month and for two weeks each year. After I moved to New York in 1997, I used to take Amtrak to Washington, DC. I would go from my full time New York artist’s life to my part time military life. It was extremely interesting to be around such different types of people, to say the least! On November 1, 2003 I retired as a Navy Commander.

I have never, ever regretted the path I chose. I love being an artist and would not want to spend my life doing anything else.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on a small, 26” x 20,” untitled pastel painting.

Comments are welcome!

What’s on the easel today?

Work in progress

Work in progress

A:  This is my fourth day working on a small (26”x 20”) pastel painting.  All of these colors are going to change over the next few months.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on a 58” x 38” pastel painting.  For now I’ve added a small figure on the right.  I’m not sure yet whether I’ll keep it.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”  It’s slow going at this stage as I refine my drawing and bring everything to a high state of finish.  My work is all about details.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”

Comments are welcome!

Q: What’s on the easel today?

Preliminary sketch

Preliminary sketch

A:  I’m working on a preliminary charcoal drawing for my next large pastel painting.  It will be number seven in the “Bolivianos” series.

Comments are welcome!

Q: What is more important to you, the subject of the painting or the way it is executed?

"Sam and Bobo,"soft pastel on sandpaper, 36" x 31", 1989

“Sam and Bobo,”soft pastel on sandpaper, 36″ x 31”, 1989

A:  In a sense my subject matter – folk art, masks, carved wooden animals, papier mâché figures, toys – chose me.  With it I have complete freedom to experiment with color, pattern, design, and other formal properties.  In other words, although I am a representational artist, I can do whatever I want since the depicted objects need not look like real things.  Execution is everything now.

This was not always the case.  I started out in the 1980s as a traditional photorealist, except I worked in pastel on sandpaper.  (For example, see the detail in Sam’s sweater above).  As I slowly learned and mastered my craft, depicting three-dimensional people and objects hyper-realistically in two dimensions on a piece of sandpaper was thrilling… until one day it wasn’t.  

My personal brand of photorealism became too easy, too limiting, too repetitive, and SO boring to execute!  In 1989 I had at last extricated myself from a dull career as a Naval officer working in Virginia at the Pentagon.  Then after much planning, in 1997 I was a full-time professional artist working in New York.  

Certainly I was not going to throw away this opportunity by making boring photorealist art.  I wanted to do so much more as an artist:  to experiment with techniques, with composition, to see what I could make pastel do, to let my imagination play a larger role in the paintings I made. I was ready to devote the time and do whatever it took to push my art further.

After spending the early creative years perfecting my technical skills, I built on what I had learned.  I began breaking rules – slowly at first – in order to push myself onward.  And I continue to do so, never knowing what’s next.  Hopefully, in 2018 my art is richer for it.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on “Shaman,” soft pastel on sandpaper, 26” x 20”.  A long-time aficionado of psychological thrillers, horror, and sci-fi films, I have a high tolerance for the macabre.  However, I admit that this one is a little creepy, considering those are snakes curling around the eyes.  On a deep level this piece is about facing my own fears.  The snakes have become metaphors.

Comments are welcome!