Category Archives: Art Works in Progress

Start/Finish of “Danzante,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finish

Finish

Comments are welcome!

Q: What’s on the easel today?

Ready to begin

Ready to begin

A:  I’m ready to begin a large – 38” x 58” – pastel-on-sandpaper painting, the sixth in my “Bolivianos” series.  I love beginnings because I am looking at something new on my easel and there are so many possibilities!

Comments are welcome!

Pearls from artists* # 294

Barbara at work

Barbara at work

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Interviewer:  Well, to begin – do you feel that you were born in a place and a time, and to a family all of which combined favorably to shape you for what you were to do?

Wilder:  Comparisons of one’s lot with others’ teaches us nothing and enfeebles the will.  Many born in an environment of poverty, disease, and stupidity, in an age of chaos, have put us in their debt.  By the standards of many people, and by my own, these dispositions were favorable – but what are our judgments in such matters?  Everyone is born with an array of handicaps – even Mozart, even Sophocles – and acquires new ones.  In a famous passage, Shakespeare ruefully complains that he was not endowed with another’s “scope”!  We are all equally distant from the sun, but we all have a share in it.  The most valuable thing I inherited was a temperament that does not revolt against Necessity and that is constantly renewed in Hope.  (I am alluding to Goethe’s great poem about the problem of each man’s “lot” – the Orphische Worte).         

Thornton Wilder in Writers at Work:  The Paris Review Interviews First Series, edited, and with an introduction by Malcolm Crowley

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on “Shaman,” soft pastel on sandpaper, 26” x 20”.  A long-time aficionado of psychological thrillers, horror, and sci-fi films, I have a high tolerance for the macabre.  However, I admit that this one is a little creepy, considering those are snakes curling around the eyes.  On a deep level this piece is about facing my own fears.  The snakes have become metaphors.

Comments are welcome!

Start/Finish of “Oracle,” soft pastel on sandpaper, 26″ x 20″

Start

Start

Finish

Finish

 Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A. I have just started working on a small pastel painting.  Although the mask looks Tibetan, surprisingly, it is from Bolivia.  It’s one I encountered at a mask exhibition at the Museum of Ethnography and Folklore in La Paz.   This is another in my “Bolivianos” series.

Comments are welcome!

Q: What’s on the easel today?

Finished and signed

Finished and signed

A:  I have finally finished “Oracle,” soft pastel on sandpaper, 26” x 20.”  It’s the third piece in my “Bolivianos” series. 

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I’m trying to finish “Oracle,” but every time I think I’m getting close, I see there are plenty of unresolved areas and/or things I can still improve.

Comments are welcome!

Start/Finish of “Stalemate,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finished and signed, lower right

Finished and signed, lower right

Comments are welcome!

 

 

 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  This is the first day – with only one layer of soft pastel in most places – of a 38″ x 58″ pastel painting.  It’s based on a photo I composed at the National Museum of Ethnography and Folklore in La Paz, Bolivia.  This is the fourth work in my “Bolivianos” series.

Comments are welcome!