Category Archives: Art Works in Progress

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”  It’s slow going at this stage as I refine my drawing and bring everything to a high state of finish.  My work is all about details.

Comments are welcome!

My blog turns 6 years old tomorrow! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

__________

Lucky me to still be in the same studio!  However, when you visit now, you see more tables full of pastels, more postcards on the walls, newer pastel paintings, etc.  More importantly, what I wrote six years ago still rings true! 

Comments are welcome!     

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”

Comments are welcome!

Q: What’s on the easel today?

Preliminary sketch

Preliminary sketch

A:  I’m working on a preliminary charcoal drawing for my next large pastel painting.  It will be number seven in the “Bolivianos” series.

Comments are welcome!

Start/Finish of “Shamanic,” soft pastel on sandpaper, 26″ x 20”

Start

Start

Finish

Finish

This one was tough going, but finally it’s ready for the framer!

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on a large pastel painting based on another of my photographs from La Paz, Bolivia.

Comments are welcome!

Q: You have spoken about your pastel technique, which involves layering pigments on top of each other, up to 25 to 30 layers. When you do this are you putting the same colors on top of each other?

 

An early version of "Oracle," 26" x 20"

An early version of “Oracle,” soft pastel on sandpaper, 26″ x 20″

Finished

Finished

A:  I do layer Rembrandt black soft pastels on top of each other to achieve the dark backgrounds in my “Black Paintings” and “Bolivianos” series.  Black Rembrandts are the pastels I use most so I order them several dozen at a time.  The 400 or 500 grit sandpaper requires at least four layers of pastel just to achieve even coverage.  Over the next few months I add many more layers of black pastel to achieve the final rich look.

The figures and shapes in each pastel painting are a different  story.  Were you to x-ray them, you’d see many different colors underneath the final one.  Sometimes subsequent colors are closely related to earlier ones.  With each additional layer, I correct, refine, and strengthen my drawing so the objects depicted become more solid and/or three-dimensional.

In addition to the thousands of pastels I have to choose from, I mix and blend new colors directly on the sandpaper.  As I proceed, I am searching for the ‘best’ colors, those that make the overall painting more resonant, more alive, and more exciting to look at.  Of course, this is wholly subjective.

Comments are welcome!        

Q: For many artists the hardest thing is getting to work in the morning. Do you have any rituals that get you started?

Entering Barbara’s studio

Entering Barbara’s studio

A:  That has rarely been a problem because I love to work.  The highlight of my day is time spent in the studio.  After arriving, I begin working immediately or I read about art for a short time.  When I pick up a pastel, it’s to begin working on something left unfinished from the day before.

Generally, I keep regular hours and strive to use studio time well.  As a professional artist, one absolutely must be a self-starter!  No one else cares about our work the way we do. Really why would they, when only the maker has invested so much love, knowledge, craftsmanship, experience, devotion, insight, money, etc. in the effort to evolve and improve.

Comments are welcome!

Start/Finish of “Danzante,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finish

Finish

Comments are welcome!

Q: What’s on the easel today?

Ready to begin

Ready to begin

A:  I’m ready to begin a large – 38” x 58” – pastel-on-sandpaper painting, the sixth in my “Bolivianos” series.  I love beginnings because I am looking at something new on my easel and there are so many possibilities!

Comments are welcome!