Category Archives: Art Works in Progress

Q: What’s on the easel today?

Work in progress

A: I’ve started a new 58” x 38” pastel painting.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I’m still refining and adding details to “The Mentalist,” soft pastel on sandpaper, 26” x 20.” The frog especially needs more work.

Comments are welcome!

Start/Finish of ”Impresario,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

Start
Finish

Note: the second photo was taken hundreds of hours and nearly five months later!

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue working on “The Mentalist,” soft pastel on sandpaper, 26” x 20.” Staying focused on making art is more difficult than usual considering the war in Ukraine and it’s widening repercussions.

Comments are welcome!

Q: Have you always signed your work on the front? (Question from Anna Rybat)

Signing ”Impresario,” soft pastel on sandpaper, 58” x 38”

A: Yes, I have no other choice. I frame all of my pastel paintings under plexiglas soon after they’re completed. Were I to sign on the reverse, as do many painters, my signature would be hidden. Moreover, I sign using pastel pencils so the letters would get smudged.

As I compose and work to complete a pastel painting, I reserve a specific location for my signature. I sign discreetly so as not to interfere with the depicted imagery. In most cases you have to look closely to see my name.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue slowly working on ”Overlord” (tentative title), 58” x 38”, soft pastel on sandpaper.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I’m working on a 58” x 38” pastel painting that is number 20 in the ”Bolivianos” series. It does not yet have a title. The mask depicted is a Supay. From Wikipedia:

In the Quechua, Aymara, and Inca mythologies, Supay was both the god of death and ruler of the Ukha, Pacha, and the Incan underworld, as well as a race of demons. Supay is associated with miners’ rituals.

With the Spanish colonization of the Americas, Christian priests used the name “Supay” to refer to the Christian Devil. However, unlike Europeans in relation to the Christian Devil, the indigenous people did not repudiate Supay but, being scared of him, they invoked him and begged him not to harm them.

Supay acquired a syncretic symbolism, becoming a main character of the diabladas of Bolivia (seen in the Carnival of Oruro), Peru and other Andean countries. The name Supay is now roughly translated into diablo (Spanish for devil) in most Southern American countries. In some of them, for example the northern region of Argentina, the underworld where Supay rules, is called “Salamanca”.

Comments are welcome!

Q: What’s on the easel today?

Work in progress
“Shamanic,” soft pastel on sandpaper, 35” x 28.5” framed

A: I just started a large 58″ x 38″ pastel painting based on the same reference photograph I used for “Shamanic,” 26″ x 20.” Sometimes ideas for new projects arrive in prosaic ways. I saw a mockup of “Shamanic” on my New Delhi gallery’s Instagram page. The mockup depicted my pastel painting as considerably larger than it actually is. I became intrigued with this unexpected format and decided to create a new one in a larger size.

For now I have turned Shamanic” to the wall so that it does not inadvertently influence my color choices. The two pastel paintings are already looking quite different.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I’m slowly refining and adding more details to “Entity,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Start/Finish of “Raconteur,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

Start
Finish

Comments are welcome!

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