Category Archives: Art Works in Progress

Q: What’s on the easel today?

Work in progress

A: I’m slowly refining and adding more details to “Entity,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Start/Finish of “Raconteur,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

Start
Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I’m trying to decide if “Impresario,” soft pastel on sandpaper, 58” x 38,” is finished. Pastel paintings are pronounced ’finished’ when every detail is as good as I can make it. I still need to give this one a final look-over.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: “Impresario,” 58” x 38,” soft pastel on sandpaper is close to being finished… at last!

Comments are welcome!

Q: Why do you make a preliminary drawing before you begin a pastel painting?

Preliminary charcoal drawing for “Enigma,” soft pastel on sandpaper, 26” x 20”

A: I make a preliminary charcoal drawing because that’s how I like to begin thinking about and planning a new pastel painting. I always make preliminary drawings the same size as the upcoming pastel painting. While I draw, I make decisions about the overall composition, decide where the major light and dark shapes will be, and envision the likely problem areas that lie ahead. These drawings are done quickly. I spend perhaps an hour on them.

Once the drawing is in my head I no longer need it. So I put it away and when it’s time to begin a subsequent pastel painting, I erase it. I wipe it out with a paper towel and make the next preliminary charcoal drawing directly on top. These are ephemeral tools, existing only for as long as I need them.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I’m continuing to work on a large (58” x 38”) pastel painting. I haven’t decided on an exact title yet, but it will be either “Impresario” or “Lost Cause.” The latter is the name of a new Billie Eilish song.

Comments are welcome!

(My blog turned 9 years old on July 15! As I have done for past anniversaries, I am republishing the very first post from July 15, 2012.) Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio (in 2012) with works in progress

Barbara’s Studio (in 2012) with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our the ime on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

__________

What I wrote nine years ago still rings true – and it’s good, even for me, to be reminded.  Since then my studio setup has changed tremendously.

Most importantly, THANK YOU to my 75,000+ subscribers for taking this journey with me!

Comments are welcome!     

Q: What’s on the easel today?

In progress

A: I continue slowly working on an untitled 58” x 38” pastel-on-sandpaper painting that is part of the acclaimed “Bolivianos” series.

Comments are welcome!

Q: What’s on the easel today?

Pastel painting in progress

A: I’m working on another large (58” x 38”) “Bolivianos” pastel painting based on old Bolivian masks encountered at the Museum of Folklore and Ethnography in La Paz four years ago. The masks were made to be worn in annual Carnival celebrations that happen in the mountain town of Ouroro, about a three-hour drive from La Paz.

Comments are welcome!

Start/Finish of “The Enigma,” soft pastel on sandpaper, 26” x 20”

Start
Finish

Comments are welcome!

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