Category Archives: Art Works in Progress

Start/Finish of “Sacrificial,” soft pastel on sandpaper, 58” x 38”

Start
Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I recently began a 26” x 20” pastel painting tentatively titled, “Shadow.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A. I continue refining and adding more details to “Disruptor,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Q: There are so many instances in the art world where paintings are discovered to be fakes. Do you think this is a potential problem where your work is concerned? Can your pastel paintings be forged?

Start
Start of “Acolytes,” soft pastel on sandpaper, 38″ x 58″
Finish
“Acolytes” finished

A: For the record, a little-appreciated fact about my pastel-on-sandpaper paintings is that they can never be forged. To detect a fake, you would only need to x-ray them. If dozens of layers of revisions are not visible under the final pastel painting, you are not looking at an original Rachko, period.

My completed paintings are the results of thousands of decisions. They are the product of an extremely meticulous, labor-intensive, and self-invented process. This is the difference between spending months thinking about and creating a painting, as I do, or a single day. It’s highly doubtful that my rigorous creative process can EVER be duplicated.

Comments are welcome!

Start/Finish of ”The Mentalist,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

Start
Finish

Comments are welcome!

Pearls from artists* # 529

Barbara’s Studio

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All sorts of novelists, composers, choreographers, poets, and painters find themselves engaged in the challenges of authority and freedom that are the lifeblood of the arts. Art is a way of life – and not only or even essentially for geniuses. An artistic community – to whatever degree it may be joined by social, economic, or other concerns – is fundamentally united by the imperatives of a vocation as they are shaped in a particular time. Genius doesn’t emerge ex nihilo. And it doesn’t have a unique relationship with authority and freedom. Whatever truth there is to Walter Benjamin’s comment, apropos of Proust’s novel, that certain masterpieces begin or end a genre, it’s usually true that every masterpiece reaffirms the fundamental character of a form. For every epochal achievement that we may see as an assertion of unexpected degrees of freedom (Beethoven’s final quartets or Shakespeare’s last plays), there are others that reaffirm the pressure of tradition (an example is Raphael’s neoclassical designs for tapestries representing scenes from the lives of Saint Peter and Saint Paul). For every creative spirit, the great as well as the merely good, there is a sense in which the wager is the same.

Jed Perl in Authority and Freedom: A Defense of the Arts

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I began a new 26” x 20” “Bolivianos” pastel-on-sandpaper painting a few days ago.

Comments are welcome!

Start/Finish of ”Overlord,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

Start
Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue working on “Wise One,” soft pastel on sandpaper, 58” x 38.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I started a new 58” x38” pastel painting. This is how it looks after the first day.

Comments are welcome!

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