Category Archives: Creative Process

Pearls from artists* # 261

Suffolk County

Suffolk County

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think that the sensation and process are almost identical in all creative activities. The pattern seems universal.  The study and hard work,  The prepared mind.  The being stuck. The sudden shift.  The letting go of control.  The letting go of self.

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Q: What non-art book are you reading now?

Tiwanaku

Tiwanaku

A:  I am reading Kim Mac Quarrie’s, “The Last Days of the Incas.”  It’s fascinating to discover the intricacies of the epic conquest of the short-lived Inca empire.  The book is actually thrilling to read.  Mac Quarrie makes this story come alive.

Last summer I traveled to Peru to investigate the history of the Incas and the civilizations that preceded them.  In May of this year I continued my studies with a trip to Bolivia.  Both trips are proving to be highly inspirational for my art practice. 

Comments are welcome!       

Pearls from artists* # 260

Suffolk County

Suffolk County

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The best analogy I’ve been able to find for that intense feeling of the creative moment is sailing a round-bottomed boat in strong wind.  Normally, the hull stays down in the water, with the frictional drag greatly limiting the speed of the boat.  But in high wind, every once in a while the hull lifts out of the water, and the drag goes down to zero.  It feels like a great hand has suddenly grabbed hold and flung you across the surface like a skimming stone.  It’s called planing. 

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Start/Finish of “Conundrum,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

Rough charcoal drawing on sandpaper

Rough charcoal drawing on sandpaper

Finished

Finished

Comments are welcome!

Pearls from artists* # 259

In Bolivia on Lake Titicaca

In Bolivia on Lake Titicaca

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In college, I made two important decisions about my career.

First, I would put my writing on the back burner until I became well established in science.  I know of a few scientists who later became writers, like C.P. Snow, Rachel Carson, but no writers who later became scientists.  For some  reason, science – at least the creative, research side of science – is a young person’s game.  In my own field, physics, I found that the average age at which Nobel Prize winners did their prize-winning work was only thirty-six.  Perhaps it has something to do with the focus on and isolation of the subject.  A handiness for visualizing in six dimensions or for abstracting the motion of a pendulum favors an agility of mind but apparently requires little knowledge of the human world.  By contrast, the arts and humanities require experience with life and the awkward contradictions of people, experience that accumulates and deepens with age.       

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I have two works in progress.  Both are based on photographs I shot at a stunning mask exhibition in La Paz, Bolivia in May.  At present I am tying to ‘ramp up’ my imagery and believe these two pastel paintings to be particularly striking.  However, both still have a long way to go so I hope I’m not speaking too soon.

Comments are welcome!   

Q: Would you comment on the origin of the title for your photographic series, “Gods and Monsters”?

Untitled c-print, 24" x 24" edition of 5

Untitled c-print, 24″ x 24″ edition of 5

A:  My title is borrowed directly from a 2001 catalogue essay by the late art critic, Gerritt Henry.  The essay was about my first pastel painting series (“Domestic Threats”) and it’s called, “Barbara Rachko:  Gods and Monsters.”  

Among other shared interests, Gerritt and I both loved old Frankenstein movies from the 1940s.  Around 1998 interest in James Whale, who had directed the original films, was riding high thanks to an Oscar-winning biopic about his last days in Hollywood.  The film was called, “Gods and Monsters.”  The title was taken from a line in “Bride of Frankenstein,” in which Dr. Pretorius toasts Dr. Frankenstein saying, “To a new world of gods and monsters.”

My photographic series came after “Domestic Threats” and some years after Gerritt’s essay was published.  When I was searching for a title for the photos, “Gods and Monsters” seemed a perfect fit!

Comments are welcome!  

My blog turns 5 years old today! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:     The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

 

If you were to visit my studio now, you would see more tables chock full of pastels and notice other changes from the photo above.  Most importantly though, what I wrote five years ago still rings true! 

Comments are welcome!     

Pearls from artists* # 256

"Offering," soft pastel on sandpaper, 20" x 26"

“Offering,” soft pastel on sandpaper, 20″ x 26″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I saw what skill was needed, and persistence – how one must bend one’s spine, like a hoop, over the page – the long labor.  I saw the difference between doing nothing, or doing a little, and the redemptive act of true effort.  Reading, then writing, then desiring to write well, shaped in me the most joyful of circumstances – a passion for work.    

Mary Oliver in Upstream: Selected Essays

Comments are welcome!

Start/Finish of “Spectral,” soft pastel on sandpaper, 20″ x 26″

Beginning

Beginning

Finished, before signing

Finished, before signing