Category Archives: Art in general
Pearls from artists* # 541
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
The artist has to make the viewer understand that his world is too narrow. To do this is a task for the humanist.
– Anthony Tapies
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Pearls from artists* # 539
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
It is important to consider, when cities like New York continue a process of gentrification that make them unlivable for most artists and intellectuals, that the community Schloss describes was to some extent brought into being by a number of radically different circumstances: first, immigration – in some cases, such as de Kooning, illegal, and in others, such as Schloss, forced by war and politics – and second, the existence in post-Great Depression New York of cheap rents for run-down spaces that no one other than artists would consider or would be able to make not just livable but eventually fashionable.
Mira Schor in The Loft Generation: From the de Koonings to Twombly, Portraits and Sketches 1942-2011 edited by Mary Venturini
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Pearls from artists* # 538
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
It’s ok if your work is fun for you, is what I’m saying. It’s also ok if your work is healing for you, or fascinating for you, or redemptive for you, or if it’s maybe just a hobby that keeps you from going crazy. It’s even ok if your work is totally frivolous. That’s allowed. It’s all allowed.
Your own reasons to create are reason enough. Merely by pursuing what you love, you may inadvertently end up helping us plenty. (“There is no love which does not become help,” taught the theologian Paul Tillich). Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.
The rest of it will take care of itself.
Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear
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Pearls from artists* # 536
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Whatever his apparent subject matter, it is always himself that the artist paints. Subject matter exalts his inner feeling.
The Journal of Eugene Delacroix edited by Hubert Wellington
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Pearls from artists* # 533
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Contemporary life promises unlimited options – and sometimes delivers them. If we’re able to avail ourselves of a never-ending supply of digital information, we can connect with our family, friends, and colleagues, binge watch or listen to anything that strikes our fancy and buy stuff so effortlessly that we’re in danger of imagining there’s no price attached. We can do so much with what seems like a little effort that doing itself becomes disembodied, wonderfully in some instances, bewilderingly or disturbingly in others. Some will say the situation is new – of course, our lives in cyberspace are unprecedented – but the desire to inhabit a time and place outside of time and place isn’t new at all. This is where the arts come in. They’ve always been a time out of time and a place out of place. But they’re also right here, right now. They’re both adamantine and ethereal, physical and metaphysical.
Jed Perl in Authority and Freedom: A Defense of the Arts
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Pearls from artists* # 532
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Far from offering an escape from the world, the arts present one of the most difficult and hard-fought ways to enter into the life of our time or any other time. What the artist must first accept is the authority of an art form, the immersion in what others have done and achieved. Once the artist has begun to take all that in – it’s a process that never really ends – there comes the even greater challenge of asserting one’s freedom. It’s the limits imposed by a vocation that makes it possible to turn away from the pressures of the moment and think and feel freely – and sometimes, give the most private emotions an extraordinary public hearing. If art is the ordering of disorderly experience, and I don’t know how else to describe it, then the artist must be true both to the order and to the disorder. These are the trials of the artist and the artistic vocation. They shape the experience of anybody who reads a novel or looks at a painting or listens to a piece of music.
Jed Perl in Authority and Freedom: A Defense of the Arts
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Pearls from artists* # 530
* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Samuel Coleridge described the imagination as “the living power and prime agent of all human perception.” It achieves its fullest potential in artistic expression because it is there that it transcends mere representation to bring forth unprecedented images of the world.
JF Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action
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Pearls from artists* # 528
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
There are so many good reasons to stop complaining if you want to live a more creative life.
First of all, it’s annoying. Every artist complains, so it’s a dead and boring topic. (From the volume of complaints that emerges from the professional creative class, you would think these people had been sentenced to their vocations by an evil dictator, rather than having chosen their line of work with a free will and open heart).
Second, of course it’s difficult to create things; if it wasn’t difficult, everyone would be doing it, and it wouldn’t be special or interesting.
Third, nobody ever really listens to anybody else’s complaints, anyhow, because we’re all too focused on our own holy struggle, so basically, you’re just talking to a brick wall.
Fourth, and most important, you’re scaring away inspiration. Every time you express a complaint about how difficult and tiresome it is to be creative, inspiration takes another step away from you, offended. It’s almost like inspiration puts up its hands and says, “Hey, sorry buddy! I didn’t realize my presence was such a drag. I’ll take my business elsewhere.”
Elizabeth Gilbert in Big Magic: Creative living Beyond Fear
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Pearls from artists* # 526
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
There are things that are not sayable. That’s why we have art.
Leonora Carrington quoted in Painting Herself, by Ruth Bernard Yeazell, in The New York Review of Books, May 12, 2022
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Pearls from artists* # 529
Oct 19
Posted by barbararachkoscoloreddust
* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
All sorts of novelists, composers, choreographers, poets, and painters find themselves engaged in the challenges of authority and freedom that are the lifeblood of the arts. Art is a way of life – and not only or even essentially for geniuses. An artistic community – to whatever degree it may be joined by social, economic, or other concerns – is fundamentally united by the imperatives of a vocation as they are shaped in a particular time. Genius doesn’t emerge ex nihilo. And it doesn’t have a unique relationship with authority and freedom. Whatever truth there is to Walter Benjamin’s comment, apropos of Proust’s novel, that certain masterpieces begin or end a genre, it’s usually true that every masterpiece reaffirms the fundamental character of a form. For every epochal achievement that we may see as an assertion of unexpected degrees of freedom (Beethoven’s final quartets or Shakespeare’s last plays), there are others that reaffirm the pressure of tradition (an example is Raphael’s neoclassical designs for tapestries representing scenes from the lives of Saint Peter and Saint Paul). For every creative spirit, the great as well as the merely good, there is a sense in which the wager is the same.
Jed Perl in Authority and Freedom: A Defense of the Arts
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Posted in 2022, An Artist's Life, Art in general, Art Works in Progress, Inspiration, Pearls from Artists, Quotes
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