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Q: I understand your comments to mean that being at the studio challenges you to be your best. How (why) do you think that works? (Question from Nancy Nikkal)

"Avenger," soft pastel on sandpaper, 58" x 38"

“Avenger,” soft pastel on sandpaper, 58″ x 38″

A: I am always trying to push my pastel techniques further, seeking to figure out new ways to render my subject matter, expanding my technical vocabulary. It would be monotonous to keep working the same old way.  Wasn’t it John Baldessari who said, “No more boring art?”  He was talking about art that’s boring to look at.  Well, as someone who CREATES art I don’t want to be bored during the making so I keep challenging myself.  I love learning, in general, and I especially love learning new things about soft pastel.

Very often I start a project because I have no idea how to depict some particular subject using pastel.  For example, one of the reasons I undertook “Avenger” was to challenge myself to render all of that hair!  Eventually I managed to figure it out and I learned a few new techniques in the process.

Comments are welcome!

Q: Do you have a daily artistic practice?

Studio entrance

Studio entrance

A:  In one way or another I suppose I do.  Of course, I don’t go to the studio six days a week like I used to, but I generally work five days, about seven to eight hours per day.  When I am not actually in the studio working at my easel, I try to make use of my time in ways that, hopefully, will make me a better artist.  I am usually reading, studying, looking at art, talking to friends who are artists, thinking about my creative practice, etc.  Art and everything related to it are naturally the focus of my life.

Comments are welcome!    

Pearls from artists* # 114

Catalogue of Matisse's late work

Catalogue of Matisse’s late work

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

These paper cut-outs have their very pure existence, although they escape from your hands, from your scissors.  Their paper matter with the fine play of light on their flexibility, the physical aspect of this flexibility, all combine to make something miraculous which loses its essence when it is placed flat.  But it retains its essence when it is fastened to the wall with pins by Lydia.  The paper then keeps the life I am talking about and undergoes incessant changes.

Matisse:  A Second Life, 2005 Editions Hazan, James Mayor translator of the English version

Comments are welcome!

Q: Please describe your artistic self in six words.

Alli's backyard

Alli’s backyard

A:  Talking about myself I would say, “Seeker of color, light, and beauty;” on my creative journey, “Driven to communicate eloquently with less;” and concerning my artistic practice as a whole, “Excellence, authenticity, and integrity above everything.”   

Comments are welcome!

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