Blog Archives

Pearls from artists* # 287

Barbara’s studio

Barbara’s studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

“To go back and introduce into all the schools art, to cut down on sports but bring arts, philosophy back into all educational systems,” he said. “And that’s what’s being cut everywhere.  And I think that’s one of the sad and tragic parts of where we are.  Education is the resistance to everything that is bad today.”

Jonas Mekas quoted in Want to Be Happy?  Think Like an Old Person, by John Leland, The New York Times, Dec. 29, 2017.

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Pearls from artists* # 285

"The Orator," 38" x 58," boxed to go to the framer

“The Orator,” 38″ x 58,” boxed to go to the framer

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

So much of the writing life is mundane.  Buying printer ink and paper, doing dishes, arranging the pens in the cup, smoke breaks on the phone, taking baths or going for walks or sitting blankly on the couch wondering if the day will end before one makes a discovery or a decision.  These habits of day-to-day tedium are what can’t be seen on the surface of a writer’s face when we meet her at a book signing – the time and effort spent living in her own head.  Writing is a lonesome art.     

Women at Work:  Interviews from the Paris Review, preface by Ottessa Moshfegh

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Pearls from artists* # 258

Isla del Sol in Bolivia

Isla del Sol in Bolivia

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Does this imply that ‘beauty is in the eye of the beholder,’ that there is no objective property that we recognize and about whose nature and value we can agree?  My answer is simply this:  everything I have said about the experience of beauty implies that it is rationally founded.  It challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find.  Art, nature, and the human form all invite us to place this experience in the center of our lives.  If we do so, then it offers a place of refreshment of which we will never tire.  But to imagine that we can do this, and  still be free to see beauty as nothing more than a subjective preference or a source of transient pleasure, is to misunderstand the depth to which reason and value penetrate our lives.  It is to fail to see that, for a free being, there is right feeling, right experience and right enjoyment just as much as right action.  The judgment of beauty orders the emotions and desires of those who make it.  It may express their pleasure and their taste:  but it is pleasure in what they value and taste for their true ideals.      

Roger Scruton in Beauty:  A Very Short Introduction

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My blog turns 5 years old today! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:     The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

 

If you were to visit my studio now, you would see more tables chock full of pastels and notice other changes from the photo above.  Most importantly though, what I wrote five years ago still rings true! 

Comments are welcome!     

Pearls from artists* # 245

Barbara's studio with works in progress

Barbara’s studio with works in progress

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Just as a puppy dog strives to become nothing but simply a dog and as thoroughly a dog as possible, one has to grow into art as the mode of existence for which one’s heart and lungs were made, as the only appropriate option.  If one chances upon art from the outside, it  ends up being nothing but a bad disguise, and life, in its unshakeable honesty, takes it upon itself to tear off this masquerade.

The Poet’s Guide to Life:  The Wisdom of Rilke, edited and translated by Ulrich Baer

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Pearls from artists* # 244

Great Falls, VA

Great Falls, VA

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Poet or painter, musician or architect, all solitary individuals at bottom turn to nature because they prefer the eternal to the transient, the profound rhythms of eternal laws to that which finds justification in passing.  Since they cannot persuade nature to share in their experience they consider their task to grasp nature in order to place themselves somewhere in its vast contexts.  And with these single solitary individuals all of humanity approaches nature.  It is not the ultimate and possibly most peculiar value of art that it constitutes the medium in which man and landscape, figure and world encounter and find each other.  But in the painting, the building, the symphony – in a word, in art itself, they seem to join together as if in a higher, prophetic truth, to rely on one another, and it is as if they completed each other to become that perfect unity that characterizes the work of art.

The Poet’s Guide to Life:  The Wisdom of Rilke, edited and translated by Ulrich Baer

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Pearls from artists* # 223

"Epiphany," soft pastel on sandpaper, 38" x 58"

“Epiphany,” soft pastel on sandpaper, 38″ x 58″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

This is precisely the time when artists get to work.  There is no time for despair, no place for self-pity, no need for silence, no room for fear.  We speak, we write, we do language.  That is how civilizations heal.

I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence.  Like failure, chaos contains information that can lead to knowledge – even wisdom.  Like art.

Toni Morrison quoted in Brainpickings, Nov. 20, 2016

Comments are welcome!

 

Pearls from artists* # 149

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Real collecting begins in lust:  I have to have this, live with this, learn from this, figure out how to pay for this.  It cannot be about investment or status.  Like making art, writing about it or organizing its public display (in galleries or in museums), collecting is a form of personal expression.  It is, in other words, a way to know yourself, and to participate in and contribute to creativity, which is essential to human life on earth.     

Roberta Smith in Collecting for Pleasure, Not Status, The New York Times, May 15, 2015

Comments are welcome!

Pearls from artists* # 144

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art and design are rule-based.  This flies in the face of everything that most people have been taught before, namely, that art and design are about freedom.  I remember reading a wonderful analogy about this concept many years ago in an out-of-print, early twentieth-century book on design.  The author asked us to imagine a flying kite – the quintessential emblem of unrestricted, spontaneity, soaring in the wind.  Keeping taught the line between you and the kite, however, is the source of that freedom.  Here’s another way of putting it:  “Creativity arises out of the tension between the rules and imagination.”

Leslie Hirst in The Art of Critical Making:  Rhode Island School of Design on Creative Practice, Rosanne Somerson and Mara L. Hermano, editors

Comments are welcome!