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Pearls from artists* # 434

West Village, NYC

West Village, NYC

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What do we carry forward?  My family lived in New Jersey near Manhattan until I was ten, and although I have enjoyed spending my adult life as a photographer in the American West, when we left New Jersey for Wisconsin in 1947 I was homesick.

The only palliative I recall, beyond my parents’ sympathy was the accidental discovery in a magazine of pictures by a person of whom I had never heard but of scenes I recognized.  The artist was Edward Hopper and one of the pictures was of a woman sitting in a sunny window in Brooklyn, a scene like that in the apartment of a woman who had cared for my sister and me.  Other views resembled those I recalled from the train to Hoboken.  There was also a picture inside a second-floor restaurant, one strikingly like the restaurant where my mother and I occasionally had lunch in New York.

The pictures were a comfort but of course none could permanently transport me home.  In the months that followed, however, they began to give me something lasting, a realization of the poignancy of light.  With it, all pictures were interesting.         

Robert Adams in Art Can Help

Pearls from artists* # 432

View from the West Village

View from the West Village

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I am asked with surprising frequency, “How do you know where to make pictures?”  To the extent there is a rule, the answer is that it is usually where you stop long enough.    

Robert Adams in Art Can Help

Comments are welcome!

Pearls from artists* # 431

New York Harbor

New York Harbor

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Writer Stanley Elkin suggested that all books retell the Old Testament story of Job.  Similarly one feels that behind most music there is a struggle with pain.  By the time we are adults, the songs we know by heart are often those that acknowledge grief or celebrate release, and the performers we respect are the ones who sing from need – people like Etta James, of whom it was said that she “always hit the notes with the right amount of hurt and hope.”

A photographer’s subject is his or her score, the given notes on a page.  The way the photographer hits these notes – shows the subject – determines whether we will be newly reconciled with it.          

Robert Adams in Art Can Help

Comments are welcome!

Pearls from artists* # 307

"Poker Face," soft pastel on sandpaper, 38" x 58"

“Poker Face,” soft pastel on sandpaper, 38″ x 58″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Until fairly recently the word art as applied to pictures usually referred not just to representations of the world but to representations that suggested an importance greater than we might otherwise have assumed.  Such pictures were said to instruct and delight, which they did by their wholeness and richness.  The effect was to reinforce a sense of meaning in life, though not necessarily a belief in a particular ideology or religion, and in this they were a binding cultural achievement.

Unfortunately art of this quality is now little attempted, partly because of disillusionment from a century of war, partly because of sometimes misplaced faith in the communicative and staying powers of total abstraction, and partly because of the ease with which lesser work can be made and sold.  This atrophying away of the genuine article is a misfortune because, in an age of nuclear weapons and over-population and global warming, we need more than ever what art used to provide.  Somehow we have to recommit to picture making that is serious.  It is impermissible any longer to endorse imitations that distract us or, openly or by implication, ridicule hope.  The emptiness of material by Jeff Koons and Damien Hirst, for example, is born of cynicism and predictive of nihilism.                 

Robert Adams in Art Can Help

Comments are welcome!

Pearls from artists* # 306

New York, NY

New York, NY

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It is the responsibility of artists to pay attention to the world, pleasant or otherwise, and to help us live respectfully in it.

Artists do this by keeping their curiosity and moral sense alive, and by sharing with us their gift for metaphor.  Often this means finding similarities between observable fact and inner experience – between birds in a vacant lot, say, and an intuition worthy of Genesis.

More than anything else, beauty is what distinguishes art.  Beauty is never less than mystery, but it has within it a promise.

In this way, art encourages us to gratitude and engagement, and is of both personal and civic consequence.       

Robert Adams in Art Can Help

Comments are welcome!

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