Category Archives: Bolivianos

Q: What’s on the easel today?

Work in progress

A: I began a new 26” x 20” “Bolivianos” pastel-on-sandpaper painting a few days ago.

Comments are welcome!

Q: Would you describe your current work in a few sentences?

Barbara’s Studio

A: Of course, my art practice continually evolves and so does my thinking about its meaning. Using my own iPad photographs of Bolivian Carnival masks from Oruro as source material, for the past five years I have been slowly building a rogue’s gallery of beautiful, if somewhat misunderstood, characters probably best described as oddballs and misfits. For me, the paintings have a deeper meaning as archetypes of the collective unconscious. Creating this series is an act of genuine love. It is my hope that the ”Bolivianos” pastel paintings convey my deep respect and compassion for people around the world.

Comments are welcome!

Start/Finish of ”Overlord,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

Start
Finish

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Pearls from artists* # 522

With ”Entity,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What moves men of genius, or rather, what inspires their work, is not new ideas, but their obsession with the idea that what has already been said is still not enough.

The Journal of Eugene Delacroix, edited by Hubert Wellington

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue working on “Wise One,” soft pastel on sandpaper, 58” x 38.”

Comments are welcome!

Q: What are your current aspirations?

With “Impresario,” soft pastel on sandpaper, 70″ x 50″ framed

A: During the pandemic I was fortunate to have added three international galleries – in London, New Delhi, and Sweden – to the growing list of galleries that represent my work. (This is in addition to a gallery in Naples, FL that I have been working with for several years). It is extremely gratifying to discover that finally, after 36 years as a devoted and hard-working professional artist, galleries are seeking me out, instead of the other way around. Next I’d like to find a local home gallery in New York with whom to work. This will be the final piece of my business plan… at least for now!

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I started a new 58” x38” pastel painting. This is how it looks after the first day.

Comments are welcome!

Pearls from artists* # 516

Mask photographed at MUSEF, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on

In Oruro, Bolivia, devotion to the Virgin del Socavon (Virgin of the Mineshaft) migrated from the fixed festival of Candlemas (2 February) to the movable feast of Carnival. By delaying their public devotion to the Virgin until the four-day holiday before Ash Wednesday, Oruro’s miners were able to enjoy a longer fiesta than if they had confined it to a single saint’s day. During Oruro’s Carnival, thousands of devils dance through the streets before unmasking in the Sanctuary of the Mineshaft to express devotion to the Virgin.

Evidently, the festive connotation of devils is not always demonic. In Manresa [Spain], the demons and dragons celebrate the restoration of liberty after a brutal civil war and subsequent dictatorship [General Francisco Franco]. In Oruro… the masked devils protest exploitation of indigenous miners by external forces and devote themselves to a Virgin who blesses the poor and marginalized. Festive disorder generally dreams not of anarchy but of a more egalitarian order.

Max Harris in Carnival and other Christian Festivals: Folk Theology and Folk Performance

Comments are welcome!

Q: What’s on the easel today?

Preliminary charcoal drawing
“Schemer,” Soft Pastel on Sandpaper, 26” x 20,” packed up for transport to the framer
“Schemer,” Soft Pastel on Sandpaper, 26” x 20,” Unframed

A: Here is a preliminary charcoal drawing in preparation for my next ”Bolivianos” pastel painting. With the most recent works I have been experimenting with scale. This will be a 58” x 38” version of ”Schemer,” 2019, 26” x 20.”

Comments are welcome!

Pearls from artists* # 512

“Entity,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Let inspiration lead you wherever it wants to lead you. Keep in mind that for most of history people just made things, and they didn’t make a big freaking deal about it.

We make things because we like making things.

We pursue the interesting and the novel because we like the interesting and the novel.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

Comments are welcome!

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