Category Archives: Bolivianos

Start/Finish of “The Enigma,” soft pastel on sandpaper, 26” x 20”

Start
Finish

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Q: What’s on the easel today?

Work in progress
Work in progress

A: I recently started another 26” x 20” pastel painting.

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Q: What’s on the easel today?

On the easel

A: I’m working on a preliminary charcoal sketch for my next “Bolivianos”pastel painting. This will be number 17 in the series.

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Q: What inspires you to start your next painting? (Question from Nancy Nikkal)

Source material for “The Champ”
Source material for “The Champ” and “Avenger”

A: For my current series, “Bolivianos,” I am using as source/reference material c-prints composed at a La Paz museum in 2017. I began the series by picking my favorite from this group of photos (“The Champ” and later, “Avenger”) before continuing with others selected for prosaic reasons such as I like some aspect of the photo, to push my technical skills by figuring out how to render some item in pastel, to challenge myself to make a pastel painting that is more exciting than the photo, etc. I like to think I have mostly succeeded.

At this time I am running low on images and have not yet imagined what comes next. Do I travel to La Paz again in 2021 to capture new photos? This series was a surprise gift so I am reluctant to deliberately chase after it knowing that ‘lightning never strikes twice.’ Will travel even be possible this year with Covid-19? These are questions I am wrestling with now.

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Q: What’s on the easel today?

Reference photo, preliminary charcoal drawing, pastel painting

A: (Foreground) “The Enigma,” soft pastel on sandpaper, “26” x 20” is awaiting finishing touches.

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Q: What’s on the easel today?

Work in progress

A: I continue slowly working on a 26” x 20” pastel painting that has given me plenty of problems, mostly on the ‘face.’ Hopefully, this painting is in the homestretch now.

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Q: What inspires you?

On Lake Titicaca in Bolivia

A: I love to travel and the more remote the destination the better! My current pastel painting series is based on a 2017 trip to Bolivia that continues to inspire me. More info about this work is at https://barbararachko.art/en/paintings/bolivianos

Also, I find the medium of soft pastel to be more fascinating now than ever. There is still so much to learn as I challenge myself to do more with it and to become a better artist.

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Q: What’s on the easel today?

Work in progress
“Poker Face,” Soft Pastel on Sandpaper, 38″ x 58″

A: I continue working on “Enigma,” soft pastel on sandpaper, 20” x 26.” The title for this piece suggested itself as I was driving to my house in Alexandria, VA. I was listening to Lady Gaga’s current album, “Chromatica.” Her song “Enigma” came on and I thought, “That’s a great title for my painting because some areas of the ‘face’ are my own personal enigma!” They’re rather dark in my reference photo so I don’t yet understand what is happening there visually. But I will figure it out. I always do!

This is the second time I have titled a pastel painting based on a Lady Gaga song. It was “Poker Face,” from her debut album “The Fame.” My painting, “Poker Face,” was completed in 2012 and is number 24/45 in the “Black Paintings” series.

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Q: What’s on the easel today?

Work in progress
Work in progress

A:  I continue slowly refining and adding more detail to “Raconteur,” soft pastel on sandpaper, 58” x 38.”

Comments are welcome!

 

Q: What kind of art do you create?

At work

At work

A:  I live in the West Village in New York City and have been a working artist for thirty-four years. I create original pastel paintings that use my large collection of Mexican and Guatemalan folk art – masks, carved wooden animals, papier mache figures, and toys – as subject matter. Blending with my fingers, I spend months painstakingly applying dozens of layers of soft pastel onto acid-free sandpaper. My self-invented technique achieves extraordinarily rich, vibrant color and results in paintings that uniquely combine reality, fantasy, and autobiography. Please see https://barbararachko.art/en/

For the last three years I have been working on a series called, “Bolivianos,” based on an exhibition of Carnival masks seen in La Paz. Art critics and others have said that these are my strongest pastel paintings so far. As I write I am working on the fifteenth piece in the series.  

Comments are welcome!

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