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Pearls from artists* # 435

Barbara’s Studio

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Most artists are not as estranged from their fellow human beings, as bereft of reasons for existing, or as alienated from the common values and enthusiasms of the world as are the outsider characters created by existential writers like Kafka, Camus, and Sartre.  But insofar as artists do regularly feel different from other people, a differentness experienced both as a sense of oddness and a sense of specialness, they identify with the outsider’s concerns and come to the interpersonal moment in guarded or distant fashion.

In part, artists are outsiders because of the personal mythology they possess.  This mythology is a blend of beliefs about the importance of the individual, the responsibility of the artist as a maker of culture and a witness to the truth, and the ordained separateness of the artist.  Artists often stand apart on principle, like Napoleonic figures perched on a hill overlooking the battle.

The artist may also find himself [sic] speechless in public.  Around him people chat, but he has little to offer.  Too much of what he knows and feels has gone directly into his art and too much has been revealed to him in solitude – infinitely more than he can share in casual conversation.     

Eric Maisel, A Life in the Arts:  Practical Guidance and Inspiration for Creative and Performing Artists

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Pearls from artists* # 350

Ahmedabad, India

Ahmedabad, India

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Seeing is not a passive awareness of visual data, but an active focusing upon it, “touching” it.  Arnheim writes, in language that echoes the Hindu notion of seeing and touching:  “In looking at an object we reach out for it.  With an invisible finger we move through the space around us, go out to the distant places where things are found, touch them, catch them, scan their surfaces, trace their borders, explore their texture.  It is an eminently active occupation.”        

Diana L. Eck in Darsan:  Seeing the Divine Image in India

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Pearls from artists* # 147

Alexandria, Virginia living room

Alexandria, Virginia living room

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I am working, every day… on new photographs.  This body of work, family pictures, is beginning to take on a life of its own.  Seldom, but memorably, there are times when my vision, even my hand, seems guided by, well, let’s say a muse.  There is at that time an almost mystical rightness about the image:  about the way the light is enfolding, the way the [kids’] eyes have taken on an almost frightening intensity, the way there is a sudden, almost outer-space-like, quiet.

These moments nurture me through the reemergence into the quotidian… through the bill paying and the laundry and the shopping for soccer shoes, although I am finding that I am becoming increasingly distant, like I am somehow living full time in those moments.  

Sally Mann in Hold Still:  A Memoir with Photographs

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