Blog Archives

Pearls from artists* # 293

Studio with works in progress

Studio with works in progress

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Works of art specify no immediate action or limited use.  They are like gateways, where the visitor can enter the space of the painter, or the time of the poet, to experience whatever rich domain the artist has fashioned.  But the visitor must come prepared:  if he brings a vacant mind or  deficient sensibility, he will see nothing.  Adherent meaning is therefore largely a matter of conventional shared experience, which it is the artist’s privilege to rearrange and enrich under certain limitations.

George Kubler in The Shape of Time:  Remarks on the History of Things

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Pearls from artists* # 77

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Current possibilities far exceed any single artist’s capacity to engage them.  Indeed, every known way of making art ever undertaken in all of history is included in today’s inventory of creative options.  Thus, choices must be made.  This has had a profound effect upon the quantity and diversity of skills needed to become an artist today.  In addition to such conventional forms of artistic talent as visual acuity, manual dexterity, sensitivity, intelligence, ingenuity, and perseverance, contemporary artists must also be able to make judicious choices from a limitless inventory of alternatives.  A decisive aspect of the creative act involves choosing a place  amid possibilities that are as bountiful as they are eclectic and chaotic.  Even this process entail choices.  In staking the territory they wish to occupy, artists may be gluttons or ascetics, connoisseurs or  commoners.  Relationships between artists and their career choices may be lifelong and monogamous, or sequentially monogamous, polygamous, or promiscuous.  But artists’ options even exceed selecting precedents.  Free access to the past is amplified by freedom to augment the catalogue of creative options by contributing something new.

In the Making:  Creative Options for Contemporary Art by Linda Weintraub

Comments are welcome!