Blog Archives

Pearls from artists* # 261

Suffolk County

Suffolk County

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think that the sensation and process are almost identical in all creative activities. The pattern seems universal.  The study and hard work,  The prepared mind.  The being stuck. The sudden shift.  The letting go of control.  The letting go of self.

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Pearls from artists* # 211

Machu Picchu

Machu Picchu

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

There is an ancient view that beauty is the object of a sensory rather than an intellectual delight, and that the senses must always be involved in appreciating it.  Hence, when the philosophy of art became conscious of itself at the beginning of the eighteenth century, it called itself ‘aesthetics,’ after the Greek aesthesis, sensation.  When Kant wrote that the beautiful is that which pleases immediately, and without concepts, he was providing a rich philosophical embellishment to this tradition of thinking.  Aquinas too seems to have endorsed the idea, defining the beautiful in the first part of the Summa as that which is pleasing to sight (pulchra sunt quae visa placent).  However, he modifies this statement in the second part, writing that ‘the beautiful relates only to sight and hearing of all the senses, since these are the most cognitive (maxime cognoscitive) among them.’   And this suggests, not only that he did not confine the study of beauty to the sense of sight, but that he was less concerned with the sensory impact of the beautiful than with its intellectual significance – even if it is a significance that can be appreciated only through seeing or hearing. 

Beauty:  A Very Short Introduction, by Roger Scruton

Comments are welcome!

  

 

Pearls from artists* # 113

Studio corner

Studio corner

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In Amsterdam I saw a striking still life painted by Rembrandt van Rijn suspended above a glass case that contained the same objects that he used as a model for the picture.  The contrast between what felt like a drab collection of random objects in the case and the stunning luminescent painting that seemed imbued with nothing less than intense energy and life gave me pause and clarified something I had been thinking about.  I had been thinking about the power of art to transform the frustrations and irritations of daily life into a realm of grace and to embody, through arrangement, composition, light, color and shade, nothing less than the secret elixir of life itself.

We encounter daily frustrations, irritations, and obstacles.  Perhaps we feel hampered and limited by our hit-and-miss upbringing, our apparent limitations and our imperfect ongoing circumstances.  And yet Rembrandt’s still life painting demonstrates that it is within our power to transform the random, the everyday, the frustrating and the prosaic into an arrangement instilled with grace and poetry.  Is it the arrangement of these objects that lends such a spiritual quality to the painting?  Is it the sensation of light captured upon canvas?  How did Rembrandt transform the quotidian into an uplifting vision of life?

Anne Bogart in What’s the Story:  Essays about art, theater, and storytelling  

Comments are welcome!