Category Archives: Pastel Painting

Q: What’s on the easel today?

Work in progress

Work in progress

A:  This 58 x 38” pastel painting needs some finishing touches before it’s done.  It has a new title, “Prophecy.”

Comments are welcome!

Q: What more would you wish to bring to your work?

Tile worker in South India

Tile worker in South India

A:  I tend to follow wherever the work leads, rather than directing it.  I have never been able to predict where it will lead or what more might be added.

Travel is essential for inspiration.  Besides many Mexican sojourns, I have been to Bali, Sri Lanka, South India, Guatemala, Honduras, Brazil, Peru, Argentina, Paraguay, and other places.  A second trip to India is upcoming, to Gujarat and Rajistan this time.  

Last year I had the opportunity to go to Bolivia. In La Paz I visited the Museum of Ethnography and Folklore, where a stunning mask exhibition was taking place.  As soon as I saw it, I knew this would be the inspiration for my next series, “Bolivianos.”  So far I have completed six “Bolivianos” pastel paintings with two more in progress now.  This work is getting a lot of press and several critics have declared it to be my strongest series yet.

Comments are welcome!

What’s on the easel today?

Work in progress

Work in progress

A:  This is my fourth day working on a small (26”x 20”) pastel painting.  All of these colors are going to change over the next few months.

Comments are welcome!

Q: What was the first folk art figure you brought back from Mexico?

Mask from Oaxaca

Mask from Oaxaca

A:  In Oaxaca I bought a large carved wooden dragon mask with a Conquistador’s face carved and painted on its back.  My intent was to depict the dragon in a subsequent “Domestic Threats” painting (the series I was working on at the time).  The dragon still hangs in my living room in Alexandria, VA.

This first trip in 1992 was a revelation and marked the start of my on-going love of Mexico:  its people, landscapes, ancient cultures, archaeology, history, art, cuisine, etc. There would be many subsequent trips to Mexico to learn as much as I can about this endlessly interesting cradle of civilization.

Comments are welcome!

Q: Do your materials have properties that allow you to maximize what you depict in your work?

Barbara’s studio

Barbara’s studio

A:  I work exclusively in soft pastel on sandpaper.  Pastel, which is pigment and a binder to hold it together, is as close to unadulterated pigment as an artist can get.  It allows for very saturated color, especially as I utilize the self-invented techniques developed and mastered over more than thirty years as an artist.  I believe my “science of color” to be unique, completely unlike how any other artist works.  I spend three or four months on each painting, applying pastel and blending the layers together to mix new colors directly on the paper.  

The sandpaper support allows the build up of 25 to 30 layers of pastel as I slowly and meticulously work for hundreds of hours to complete a painting.  The paper is extremely forgiving.  I can change my mind, correct, refine, etc. as much as I want until a painting is the best I can create at that moment in time.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on a 58” x 38” pastel painting.  For now I’ve added a small figure on the right.  I’m not sure yet whether I’ll keep it.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”  It’s slow going at this stage as I refine my drawing and bring everything to a high state of finish.  My work is all about details.

Comments are welcome!

Q: How much of your work is autobiographical?

"The Champ," soft pastel on sandpaper, 26" x 20"

“The Champ,” soft pastel on sandpaper, 26″ x 20″

A:  I suppose all of it is, in the sense that often I can look at a particular pastel painting and remember what was happening in my life when I made it.  As I get older, however, it’s becoming more difficult to remember the circumstances surrounding my earliest work.  Certainly, the cultures of an ever-expanding number of countries – Bolivia last year – are influencing my imagery for the better.

Comments are welcome!  

My blog turns 6 years old tomorrow! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

__________

Lucky me to still be in the same studio!  However, when you visit now, you see more tables full of pastels, more postcards on the walls, newer pastel paintings, etc.  More importantly, what I wrote six years ago still rings true! 

Comments are welcome!     

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on “Acolytes,” soft pastel on sandpaper, 38” x 58.”

Comments are welcome!