Category Archives: Pastel Painting

Start/Finish of “Conundrum,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

Rough charcoal drawing on sandpaper

Rough charcoal drawing on sandpaper

Finished

Finished

Comments are welcome!

My blog turns 5 years old today! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:     The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

 

If you were to visit my studio now, you would see more tables chock full of pastels and notice other changes from the photo above.  Most importantly though, what I wrote five years ago still rings true! 

Comments are welcome!     

Start/Finish of “Spectral,” soft pastel on sandpaper, 20″ x 26″

Beginning

Beginning

Finished, before signing

Finished, before signing

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I’m working on a large pastel painting based on a photograph shot when I was vacationing recently in La Paz, Bolivia.  How fortuitous to stumble upon a mask exhibition at The National Museum of Ethnography and Folklore!  It felt as though the exhibition somehow was staged for me, just waiting for me to come along and photograph it. 

Incredibly, I returned to New York, after a spectacular trip to Bolivia, and found myself with photographs that are inspiring a new series.  Certainly this has never happened before!  The series is tentatively called, “Bolivianos.”             

Comments are welcome!

Q: How can you tell with certainty when a pastel painting is finished?

“Poker Face,” soft pastel on sandpaper, 38″ x 58″

A:  For me a work is finished when to add or subtract some element causes the composition to diminish or somehow weaken.  It’s mostly a matter of where I want viewers to look and how I decide to lead their eyes around a painting.

I work on each piece for several months so that by the time it’s nearly done, I can no longer see flaws.  I put it aside for a week or two.  Then I pull it out again, turn it upside down, and any details that need improving become obvious.  Once I fix them, I know the painting is finally finished and ready to be signed, photographed, and delivered to my framer.

Comments are welcome!

         

Start/Finish of “The Ancestors,” soft pastel on sandpaper, 58″ x 38″ image, 70″ x 50″ framed

Beginning

Beginning

Finished

Finished

Comments are welcome!

Q: Would you talk about a few of the technical properties that made pastel your medium of choice?

Barbara'a pastels

Barbara’a pastels

A:  Pastel is a time-tested medium that has been in use for five hundred years.  I fell in love with it nearly thirty years ago and it has been my primary medium ever since.

Pastel is known to be the most permanent of all media. It has no liquid binder that might cause oxidizing with the passage of time as often happens with other painting media.  Pastel colors are intense because they are the closest artists get to working with pure pigment.  Artists throughout history have generally favored pastel because it allows a spontaneous approach with no drying time and no change of color.

Comments are welcome!

Q: What genre do you work in?

“Broken,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

A:  I consider all of my pastel paintings and photographs to be “contemporary conceptual realism.”  In my work there is a disquieting quality, a feeling that things are not quite as innocent as they at first seem.   The world I depict is a world of the imagination that owes little debt to the natural world.  As one New York art critic noted, “What we bring to a Rachko… we get back, bountifully.”    

Comments are welcome!

Start/Finish of “Provocateur,” soft pastel on sandpaper, 26″ x 20″ image, 35″ x 28 1/2″ framed

Beginning

Beginning

Finished and signed

Finished and signed

Comments are welcome!

Q: You use an impressive assortment of soft pastels to create your pastel paintings. Which are your favorite?

Barbara's studio

Barbara’s studio

A:  My favorite brand of soft pastels is Henri Roché.  They offer subtle variations in color and hue since they make more colors than any other company.

As a birthday present a few years ago, I treated myself to a full 750-color set.  I mainly use them for finishing touches, rather than letting them get buried under pastel.  At nearly $20 a stick, I also don’t want see them reduced to colored dust on the floor beneath my easel.  One of my peers calls them, “the Maserati of pastels!”

Isobel Roché told me that her goal is to reach 1000 colors in time for the company’s 300th anniversary in 2020!  I hope she makes it.  

These pastels have been around so long that Degas and other artists of the era used them.  It’s humbling to know that I am working with the same materials and following a long and prestigious art tradition of using soft pastel.

Comments are welcome!