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Pearls from artists* # 368

Leonora Carrington at Di Donna Galleries, NYC

Leonora Carrington at Di Donna Galleries, NYC

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Whether we look to the contradictory functions that people are asked to fulfill today – devoted parent and loyal employee, faithful spouse and emancipated libertine, mature adult and eternal child – or to the ways in which identities are disbursed across divergent political forums, information systems, and communication networks, the same observation holds:  we are infinitely divided.  What is called an individual today is an abstract assemblage of fragments.  Phone calls, emails, voice mails, blogs, videos and photos, surveillance tapes, banking records:  the body is dwarfed by the virtual tendrils that shoot out if it through time and space, any of which is likely to claim to be the real “you” as you are.  Only the imaginal mind can lead us out of the maze, with art providing the symbols that mark the way to the elusive essence that truly defines us.

J.F. Martel in Reclaiming Art in the Age of Artifice:A Treatise, Critique, and Call to Action

Comments are welcome!

Q: How do you think living in New York affects your work?

Lower Manhattan

Lower Manhattan

A:  Arguably, life in New York provides an artist with direct access to some of the best international art of the past, the present, and probably the future.  It is possible to see more art here – both good and bad – than in any other American city.  

Just pick up any local magazine and scan the art listings!  Our problem is never that there isn’t anything interesting to see or do.  It’s “how do we zero in on the most significant local cultural activities, ones that might contribute to making us better artists?”   

Certainly a visual artist’s work is consciously and unconsciously influenced not only by what she sees in museums and galleries, but by walking around the city.  That’s partly why I am an inveterate walker.  I never know what amazing things I am going to see when I leave my apartment.

Although living in New York City is a rich and heady mix for anyone, it is more so for sensitive artists.  Artists are virtual sponges, soaking up experiences, processing them, and mysteriously expressing them in our work. 

New York lets an artist ponder excellence as we see and experience firsthand what is possible.  The best of the best manages to make its way here.    

Undoubtedly, my own work is richer for having spent the last eighteen years in this fascinating, wild, and crazy city.  For a visual artist New York is an infinitely fascinating place to live.

Comments are welcome! 

Q: Was there a defining moment, meeting, or event that convinced you to pursue an artistic life?

West 29th Street studio

West 29th Street studio

A:  There was not a defining moment per se, but looking back now, I’d say that because the Navy assigned me to a series of boring office jobs instead of letting me fly, I became determined to find a vocation infinitely more rewarding and more interesting to devote the rest of my life to.  I came to this realization over time, rather than in a single moment. 

Comments are welcome!

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