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Pearls from artists* # 368

Leonora Carrington at Di Donna Galleries, NYC

Leonora Carrington at Di Donna Galleries, NYC

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Whether we look to the contradictory functions that people are asked to fulfill today – devoted parent and loyal employee, faithful spouse and emancipated libertine, mature adult and eternal child – or to the ways in which identities are disbursed across divergent political forums, information systems, and communication networks, the same observation holds:  we are infinitely divided.  What is called an individual today is an abstract assemblage of fragments.  Phone calls, emails, voice mails, blogs, videos and photos, surveillance tapes, banking records:  the body is dwarfed by the virtual tendrils that shoot out if it through time and space, any of which is likely to claim to be the real “you” as you are.  Only the imaginal mind can lead us out of the maze, with art providing the symbols that mark the way to the elusive essence that truly defines us.

J.F. Martel in Reclaiming Art in the Age of Artifice:A Treatise, Critique, and Call to Action

Comments are welcome!

Q: Do you have any advice for a young painter or someone just starting out as an artist?

Studio

Studio

A:  As artists each of us has at least two important responsibilities:  to express things we are feeling for which there are no adequate words and to communicate to a select few people, who become our audience.  By virtue of his or her own uniqueness, every human being has something to say.  But self-expression by itself is not enough.  As I often say, at it’s core art is communication.  Without this element there is no art.  When artists fail to communicate, perhaps they haven’t mastered their medium sufficiently so are unsuccessful in the attempt, or they may be being self-indulgent and not trying.  Admittedly there is that rare and most welcome occurrence when an artistic statement – such as a personal epiphany – happens for oneself alone. 

Most importantly, always listen to what your heart tells you.  It knows and speaks the truth and becomes easier to trust as you mature.  If you get caught up in the art world, step back and take some time to regain your bearings, to get reacquainted with the voice within you that knows the truth.  Paint from there.  Do not ever let a dealer or anyone else dictate what or how you should paint. 

With perhaps the singular exception of artist-run cooperative galleries, be very suspicious of  anyone who asks for money to put your work in an exhibition.  These people are making money from desperate and confused artists, not from appreciative art collectors.   With payment already in hand there is no financial incentive whatsoever for these people to sell your paintings and they won’t. 

Always work in a beautiful and special place of your own making.  It doesn’t need to be very large, unless you require a large space in which to create, but it needs to be yours.  I’m thinking of Virginia Woolf’s “a room of one’s own” here.  A studio is your haven, a place to experiment, learn, study, and grow.  A studio should be a place you can’t wait to enter and once you are there and engaged, are reluctant to leave. 

Be prepared to work harder than you ever have, unrelentingly developing your special innate gifts, whether you are in the mood to do so or not.  Most of all remember to do it for love, because you love your medium and it’s endless possibilities, because you love working in your studio, and because you feel most joyously alive when you are creating.

Comments are welcome!

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