Blog Archives

Q: Do you have a home studio or do you go to an outside studio to work? Which do you prefer and why?

At work

A: I have always preferred a separate studio. Pastel creates a lot of dust, it’s toxic to breathe, plus I do not want to live with the mess! I need a place to go in the mornings, someplace where I can focus and work without any distractions. It’s difficult to do that at home.

From the beginning of my time as an artist, in the mid-1980’s, I had a studio. My first one was in the spare bedroom of the Alexandria, Virginia, house that I shared with my late husband, Bryan, and that I still own.

For about three years in the 1990s I had a studio on the third floor of the Torpedo Factory Art Center, a building in Alexandria, VA that is open to the public. People would come in, watch artists at work, and sometimes buy a piece of art.

In April 1997 an opportunity to move to New York arose and I didn’t look back. By then I was showing in a good 57th Street gallery, Brewster Arts Ltd. (the gallery focused exclusively on Latin American artists; I was in the company of Leonora Carrington, Rufino Tamayo, Diego Rivera, etc.), and I had managed to find a New York agent, Leah Poller, with whom to collaborate.

I looked at only one other space before finding my West 29th Street studio and knew instantly it was the one! An old friend of Bryan’s from Cal Tech rented the space next door and he had told us it was available. Initially the studio was a sublet. The lease-holder was a painter headed to northern California to work temporarily for George Lucas at the Lucas Ranch. After several years she decided to stay so I was able to take over the lease. I feel extremely fortunate to have been in my West 29th Street, New York City space now for twenty-three years. In a city where old buildings are perpetually knocked down to make way for new ones this is rare.

My studio is an oasis in a chaotic city, a place to make art, to read, and to think. I love to walk in the door every morning and I feel calmer the moment I arrive. It’s my absolute favorite place in New York! Sometimes I think of it as my best creation. For more about this please see

https://artofcollage.wordpress.com/2020/04/30/artists-and-their-relationship-to-their-studio

Comments are welcome!

Posted in An Artist's Life, New York, NY, Studio

2 Comments

Tags: 57th Street, Alexandria, arrive, artist, available, bedroom, beginning, breathe, Brewster Arts Ltd., Bryan, building, Cal Tech, calmer, chaotic, collaborate, company, creates, creation, Diego Rivera, difficult, distractions, favorite, finding, fortunate, George Lucas, headed, husband, knocked down, Latin American, Leah Poller, lease-holder, Leonora Carrington, Lucas Ranch, managed, moment, mornings, New York, northern California, opportunity, outside, painter, pastel, prefer, public, Rufino Tamayo, separate, shared, showing, someplace, Studio, sublet, temporarily, Torpedo Factory Art Cebter, West 29th Street

Pearls from artists* # 390

Feb 19

Posted by barbararachkoscoloreddust

In the studio. Photo: Izzy Nova

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What made their work so unique and brilliant was that intangible element – self. Great painting, great art in general, is not about materials used or methods mastered or even talent possessed. It is a combination of all of these factors, and an individual driven by a force that seems outside them, toward expression of an idea they often do not understand.

Mary Gabriel in Ninth Street Women

Comments are welcome!

Posted in An Artist's Life, Art in general, Inspiration, Pearls from Artists, Quotes, Studio

Comments Off on Pearls from artists* # 390

Tags: “Ninth Street Women”, brilliant, combination, driven, dtoward, element, expression, factors, force, great painting, individual, intangible, Mary Gabriel, mastered, materials, methods, outside, possessed, talent, understand, unique

Pearls from artists* # 382

Dec 11

Posted by barbararachkoscoloreddust

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think a man [sic] spends his whole lifetime painting one picture or working on one piece of sculpture. The question of stopping is really a decision of moral considerations. To what extent are you intimidated by the actual act, so that you are beguiled by it? To what extent are you charmed by its inner life? And to what extent do you then really approach the intention or desire that is really outside it? The decision is always made when the purée has something in it that you wanted.

Barnett Newman quoted in The Unknown Masterpiece by Honore Balzac

Comments are welcome!

Posted in An Artist's Life, Creative Process, Inspiration, Painting in General, Pearls from Artists, Quotes, Studio

Comments Off on Pearls from artists* # 382

Tags: actual, approach, “The Unknown Masterpiece”, Barnett Newman, beguiled, charmed, considerations, decision, desire, extent, Honore Balzac, inner life, intention, intoxicated, lifetime, outside, painting, picture, question, quoted, sculpture, something, stopping, Studio, wanted, working

Pearls from artists* # 352

May 15

Posted by barbararachkoscoloreddust

“Provocateur,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The jester was certainly a key player in medieval court politics. His power, however, was commensurate with his acknowledged irrelevance to the state apparatus. As the eternal outsider, ridiculed or at best ignored by the elite unless he was actually entertaining them, he acquired the right to speak truths that others would speak at their peril. Yet if the imprudent king simply saw the Fool as a source of amusement, the wise king saw in his antics and wordplay the pattern of the past, present, and future. In the same way, art is the joker in the hand that was dealt to humanity. Nothing is easier than dismissing it as a frivolity, and yet those who meet it on its own ground gain access to the hidden facets of their situation. It is by virtue of its very separateness, its position outside the realm of the useful and the practical, that art reveals the Real. Paradoxically, art has political value only when appraised outside of any political framework.

J.F. Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

Posted in An Artist's Life, Art in general, Inspiration, Pearls from Artists, Quotes

Comments Off on Pearls from artists* # 352

Tags: "Provocateur", "Reclaiming Art in the Age of Artifice: A Treatise Critique and Call to Action", acknowledged, amusement, antics, apparatus, appraised, commensurate, court, dismissing, entertaining, eternal, facets, framework, frivolity, future, ground, hidden, humanity, ignored, imprudent, irrelevance, jester, JF Martel, medieval, outside, outsider, paradoxically, pattern, player, political, politics, position, power, practical, present, realm, reveals, ridiculed, separateness, situation, speak truths, the joker, the Real, the state, the wise king, useful, virtue, wordplay

Pearls from artists* # 320

Oct 3

Posted by barbararachkoscoloreddust

“Offering,” soft pastel on sandpaper, 20″ x 26″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

As soon as I use words and actions to convey an emotion, I engage with the world, pitting my feelings against fate in hopes of a desired outcome. If I am angry, my anger is directed at someone or something. If I am in love, my love is for another. Feelings are purposive in ordinary reality, our emotional states tangled in the processes of life. This is what we mean when we refer to ourselves as subjects. But if, instead of acting on a feeling, I make it the basis of a song or a film or a dance, something strange happens. My purposive feeling leaves the closed circle of my personal existence, almost as though I had taken it out of historical time altogether. Transposed into the work of art, it becomes nonpurposive, undirected. It disassociates from its original focus, and from my self as subject, acquires a kind of autonomy. Artistic creation allows for the subjective aspect of our lives normally locked inside our skulls to exist outside us, which is to say that in art, the subjective becomes objective.

J.F. Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

Posted in An Artist's Life, Art in general, Creative Process, Inspiration, Pearls from Artists, Quotes

Comments Off on Pearls from artists* # 320

Tags: "Offering", "Reclaiming Art in the Age of Artifice: A Treatise Critique and Call to Action", acting, actions, anger, artistic creation, autonomy, convey, desired outcome, disassociates, emotion, emotional states, engage, feelings, focus, historical time, in love, J.F. Martel, nonpurposive, objective, ourselves, outside, personal existence, processes, purposive, reality, soft pastel on sandpaper, subjects, the world, transposed, undirected, words, work of art

Pearls from artists* # 89

Apr 30

Posted by barbararachkoscoloreddust

Some of Barbara’s pastels

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Dear Diary:

On a drifty Manhattan stroll
The kind that unearths magical treasures
I made a right turn off of Houston
Onto Bowery
And as it became Third Avenue
I came upon this old art store
That creaked hello
Its warped wooden shelves
Held new paints
A little dusty from the old building
But whose colors were deeper
Than I’d ever seen before

And at the back of the store
Up a narrow stairway
Was a tiny room
And behind a long table stood three people
(Probably artists)
Who could get me any paper I desired
Paper with designs
To collage with
Hot press, cold press
100 gram, 600 gram paper
To draw and paint on
Any kind of paper I’d ever want
Templates from heaven

And over my right shoulder
Was a tall window
Overlooking the glorious city
That has held this little room
Tenderly in its arms
All these years

And as I hugged
My rolled up package of paper
And went back downstairs
The old stairs seemed to gently whisper
“Come back soon,
We’ll keep each other alive”

And stepping outside
Third Avenue seemed more spacious
And I took a deep breath
As the world
Kaleidoscoped
With possibilities
Lovingly wrapped up
By three kind artists
At the top of the world.

“Art Supplies From Heaven,“ by Judith Ellen Sanders, published in “Metropolitan Diary,” NY Times, April 6, 2014

Comments are welcome!

Posted in An Artist's Life, Art in general, Creative Process, Inspiration, New York, NY, Painting in General, Pastel Painting, Pearls from Artists, Photography, Quotes, Studio, Working methods

2 Comments

Tags: "Art Supplies From Heaven", "Metropolitan Diary", arms, art store, artists, behind, Bowery, breath, building, city, cold press, collage, colors, creaked, deeper, designs, desired, downstairs, draw, drifty, dusty, gently, glorious, heaven, hello, hot press, Houston, hugged, Judith Ellen Sanders, Kaleidoscoped, lovingly, magical, Manhattan, narrrow, NY Tmes, outside, overlooking, package, paint, paper, pastels, people, possibilities, rolled, room, shelves, shoulder, spacious, stairway, stepping, stroll, table, templates, tenderly, Third Avenue, treasures, unearths, warped, whisper, window, wooden, world, wrapped, years

Pearls from artists* # 87

Apr 16

Posted by barbararachkoscoloreddust

Studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

One evening, after one false start too many, I just gave up. Sitting at a bar, feeling a bit burned out by work and by life in general, I just started drawing on the backs of business cards for no reason. I didn’t really need a reason. I just did it because it was there, because it amused me in a kind of random, arbitrary way.

Of course it was stupid. Of course it was not commercial. Of course it wasn’t going to go anywhere. Of course it was a complete and utter waste of time. But in retrospect, it was this built-in futility that gave it its edge. Because it was the exact opposite of all the “Big Plans” my peers and I were used to making. It was so liberating not to have to think about all of that, for a change.

It was so liberating to be doing something that didn’t have to have some sort of commercial angle, for a change.

It was so liberating to be doing something that didn’t have to impress anybody, for a change.

It was so liberating to be free of ambition, for a change.

It was so liberating to have something that belonged just to me and no one else, for a change.

It was so liberating to feel complete sovereignty, for a change. To feel complete freedom, for a change. To have something that didn’t require somebody else’s money, or somebody else’s approval, for a change.

And of course, it was then, and only then, that the outside world started paying attention.

The sovereignty you have over your work will inspire far more people than the actual content ever will. How your own sovereignty inspires other people to find their own sovereignty, their own sense of freedom and possibility, will give the work far more power than the work’s objective merits ever will.

Your idea doesn’t have to be big. It just has to be yours alone. The more the idea is yours alone, the more freedom you have to do something really amazing.

The more amazing, the more people will click with your idea. The more people click with your idea, the more this little thing of yours will snowball into a big thing.

That’s what doodling on the backs of business cards taught me.

Hugh MacLeod in Ignore Everybody: and 39 Other Keys to Creativity

Comments are welcome!

Posted in An Artist's Life, Art in general, Black Paintings, Creative Process, Inspiration, New York, NY, Pastel Painting, Pearls from Artists, Photography, Quotes, Studio

1 Comment

Tags: "Big Plans", "Ignore Everybody: and 39 Other Keys to Creativity", actual, amazing, ambition, amused, angle, approval, arbitrary, attention, backs, bar, belonged, big, built-in, burned out, business cards, change, click, commercial, content, doodling, drawing, edge, evening, false start, feeling, freedom, futility, Hugh MacLeod, idea, impress, inspire, liberating, life, making, merits, money, objective, opposite, outside, peers, people, possibility, power, random, reason, retrospect, sense, sitting, snowball, sovereignty, Studio, stupid, taught, think, time, waste, work, world

Pearls from artists* # 64

Oct 30

Posted by barbararachkoscoloreddust

High Line, New York, NY

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

As soon as an artist has located the vital center of his activities, nothing will be more important than for him to remain within this center and never move further away from it (which is, of course, also the center of his nature, of his world) than the interior walls of his quietly and steadily expanding achievement. His place is not, never, not even for a moment, next to the beholder and critic (at least no longer in an environment where all that is visible becomes ambiguous and preliminary, an auxiliary construction and temporary scaffolding for something else). And one basically needs to be an acrobat to leap back safely and unharmed from this point of view into one’s inner center (the distances are too great and all the spots too destabilized to risk such an entirely inquisitive feat). Most artists today use up their strength in this back-and-forth, and in addition to wasting their energy they get terribly confused and lose a part of their essential innocence to the sin of having taken their work from the outside by surprise, to have tasted it, to have joined others in enjoying it!

Ulrich Baer, editor, The Wisdom of Rilke

Comments are welcome!

Posted in An Artist's Life, Art in general, Creative Process, Inspiration, New York, NY, Pearls from Artists, Photography, Quotes

Comments Off on Pearls from artists* # 64

Tags: "The Wisdom of Rilke", achievement, acrobat, activity, addition, ambiguous, artist, auxiliary, back-and-forth, basically, become, beholder, center, confused, construction, critic, destabilized, distance, editor, energy, enjoying, entirely, environment, essential, expanding, feat, further, great, High Line, important, inner, innocence, inquisitive, interior, joined, leap, locate, longer, lose, moment, move, nature, needs, never, New York, next, nothing, other, outside, part, place, point, preliminary, quietly, remain, risk, safely, scaffolding, sin, something, spot, steadily, strength, surprise, taken, tasted, temporary, terribly, today, Ulrich Baer, unharmed, view, visible, vital, wall, wasting, within, work, world

Q: Have you ever worked outside?

Jul 6

Posted by barbararachkoscoloreddust

Reproductions of “Cardinal Rule” (top) and “Blue Ego,” originals are soft pastel on sandpaper, 30″ x 38″

A: As a pastel artist I’ve never worked outside – with so many pastels, it’s just not practical – but early on in the “Domestic Threats” series, I created two outdoor setups. Works in the series derived from elaborate scenes that I arranged and then photographed.

I used to take long walks along the Potomac River in Alexandria, VA, and there was a tree stump that was fascinating. It was mostly twisted roots, knotty branches, dark hidden spaces, etc. (top painting in photo). One morning I took several hand puppets and stuffed animals (my subject matter at the time) and carefully arranged them on the tree. Around me people were busy exercising their dogs. Soon I attracted quite a bit of attention – a tall blonde woman playing with puppets on a tree stump! Dogs came over to sniff. Their owners came over, too, and I was pressed into explaining, again and again, that I was an artist, that I was photographing this scene so I could paint it, etc. The interruptions were very annoying.

The second time I tried an outdoor setup was again along the Potomac River, but this time I selected a secluded strip of beach where I was undisturbed. I had forgotten to consider the light and inadvertently chose a cloudy day. I remember being disappointed that the light was flat and lacking shadows. The painting (bottom in photo) turned out to be one of my least favorites.

I resolved from then on to focus on interiors. Alfred Hitchcock famously used rear projection so that he could work in a studio rather than on location. One reason, he said, was that in a studio he had total control. I know what he meant. When I set up an interior scene and position the lights to make interesting shadows, indeed, I have control over the whole look. No aspect is left to chance. The accidents – improvements! – happen later when I work on the painting.

Comments are welcome!

Posted in An Artist's Life, Creative Process, Domestic Threats, Pastel Painting, Photography, Working methods

Comments Off on Q: Have you ever worked outside?

Tags: "Blue Ego", "Cardinal Rule", accidents, Alexandria_VA, Alfred Hitchcock, annoying, arrange, artist, attention, attract, begin, blonde, bottom, branch, busy, carefully, chance, cloudy, control, create, creative process, dark, day, disappointed, distracted, dog, Domestic Threats, elaborate, exercising, explaining, fascinating, hand puppet, happenr, hidden, interesting, interior, interrupt, knotty, late, least favorite, light, location, look, morning, nothing, original, outside, owner, paint, particular, pastel, pastel painting, people, photo, photograph, planning, playing with puppets, position, Potomac River, press, rear projection, reason, resolve, river, root, Saturday, scene, secluded, second, series, setup, shadow, sniff, space, strip, Studio, stuffed animal, subject matter, tall, time, top, total, tree stump, twisted, unobserved, walk, walking, woman, work

Pearls from artists* # 22

Jan 9

Posted by barbararachkoscoloreddust

Alexandria living room

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

So inclination you see is not lacking, and yet in all probability I shall have to try right here to clamber in the dark and all alone over the crest of the year, so to speak, for disciplinary reasons. I shall not deserve it otherwise, that is: I have long wanted to be here all alone, strictly alone, to go into my cocoon, to pull myself together, in short, to live by my heart and nothing else. Now since day before yesterday I have really been here all alone inside the old walls – outside, the sea, outside, the Karst, outside, the rain, perhaps tomorrow the storm – now must appear what is within by way of counterweight to such great and fundamental things. So, if something quite unexpected does not come, it may be the right thing to say, to hold out, to hold still with a kind of curiosity toward oneself, don’t you think? That is how things stand, and if I stir now everything will shift again; and then hearts are labeled, like certain medicines: shake before taking; I have been continually shaken in these last years, but never taken, that is why it is better that I should quietly arrive at clarity and precipitation…

Jane Bannard Greene and M.D. Herter Norton, translators, Letters of Rainer Maria Rilke 1910 – 1926

Comments are welcome!

Posted in An Artist's Life, Creative Process, Inspiration, Pearls from Artists, Quotes

Comments Off on Pearls from artists* # 22

Tags: "Letters of Rainer Maria Rilke 1910 - 1926", again, Alexandria, alone, clarity, cocoon, come, continually, counterweight, crest, curiousity, dark, day, deserve, disciplinary, everything, fundamental, great, heart, hold still, how things stand, inclination, Karst, kind, label, live, living room, medicines, myself, nothing, old, oneself, outside, precipitation, probability, rain, Rainer Maria Rilke, reasons, right thing, say, sea, shake before taking, shaken, shift, something, speak, stir, storm, taken, think, try, unexpected, walls, within, year, yesterday

barbararachkoscoloreddust.com

Barbara Rachko is a New York Visual Artist, Blogger, and Author who is revolutionizing the use of Soft Pastel in fine art.

Blog Archives

Q: Do you have a home studio or do you go to an outside studio to work? Which do you prefer and why?

Pearls from artists* # 390

Pearls from artists* # 382

Pearls from artists* # 352

Pearls from artists* # 320

Pearls from artists* # 89

Pearls from artists* # 87

Pearls from artists* # 64

Q: Have you ever worked outside?

Pearls from artists* # 22

Follow barbararachkoscoloreddust via Email

Recent Posts

Translate

Make a Donation

Categories

RSS

Archives

Meta

barbararachkoscoloreddust.com

Barbara Rachko is a New York Visual Artist, Blogger, and Author who is revolutionizing the use of Soft Pastel in fine art.

Blog Archives

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Follow barbararachkoscoloreddust via Email

Recent Posts

Translate

Make a Donation

Categories

Archives

Meta