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Pearls from artists* # 506

Museum of Ethnography and Folklore, La Paz, Bolivia
Museum of Ethnography and Folklore, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Inspiration is allowed to do whatever it wants to, in fact, and it is never obliged to justify its motives to any of us. (As far as I’m concerned, we’re lucky that inspiration talks to us at all; it’s too much to ask that it also explain itself).

In the end, it’s all about violets trying to come to light.

Don’t fret about the irrationality and unpredictability of all this strangeness. Give in to it. Such is the bizarre, unearthly contract of creative living. There is no theft; there is no ownership; there is no tragedy; there is no problem. There is no time or space where inspiration comes from – and also no competition, no ego, no limitations. There is only the stubbornness of the idea itself, refusing to stop searching until it has found an equally stubborn collaborator. (Or multiple collaborators, as the case may be).

Work with that stubbornness.

Work with it as openly and trustingly and diligently as you can.

Work with all your heart, because – I promise – if you show up for your work day after day after day after day, you just might get lucky enough some random morning to burst right into bloom.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

Comments are welcome!

Pearls from artists* # 462

With our documentary film crew

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It seems contradictory to call an artist both shy and conceited, introverted and extraverted, empathic and self-centered, highly independent and hungry for community – until we realize that all of these qualities can be dynamically present in one and the same person.

Indeed, this dynamism regularly perplexes and buffets the artist. He may begin to consider himself crazy for longing to perform even though public performance frightens him, or neurotic for feeling competent at the piano but incompetent in the world. He may come to possess the vain hope that he can live quietly, like other people, his personality statically integrated in some fashion, and then feel like a failure when the contradictory forces at play in him prevent him from feeling relaxed even for a minute. Once he realizes, however, that this puzzling contradiction is his personality, he is better able to accept himslef and to understand his motives and actions.

Eric Maisel in “A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists”

Comments are welcome!

Pearls from artists* # 345

Barbara working on an interview. Photo:  Maria Cox

Barbara working on an interview. Photo: Maria Cox

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

You begin your journey as an artist from sacred motives, with dreams and high hopes, and also, perhaps, from a place of painful turmoil or other inner necessity.  From these powerful drives comes your conscious decision to pursue a life in art, your resolve to call yourself an artist whatever the consequences.  You are the one nodding in agreement when the painter John Baldessari says, “Art is about bloody-mindedness.  It’s not about living the good life.  In the end, it’s just you and the art.”

Eric Maisel in A Life in the Arts:  Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

 

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