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Pearls from artists* # 462

With our documentary film crew

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It seems contradictory to call an artist both shy and conceited, introverted and extraverted, empathic and self-centered, highly independent and hungry for community – until we realize that all of these qualities can be dynamically present in one and the same person.

Indeed, this dynamism regularly perplexes and buffets the artist. He may begin to consider himself crazy for longing to perform even though public performance frightens him, or neurotic for feeling competent at the piano but incompetent in the world. He may come to possess the vain hope that he can live quietly, like other people, his personality statically integrated in some fashion, and then feel like a failure when the contradictory forces at play in him prevent him from feeling relaxed even for a minute. Once he realizes, however, that this puzzling contradiction is his personality, he is better able to accept himslef and to understand his motives and actions.

Eric Maisel in “A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists”

Comments are welcome!

Q: Walk us through your “typical day”?

Barbara at work on “Schemer,” Soft Pastel on Sandpaper, 26” x 20”

Barbara at work on “Schemer,” Soft Pastel on Sandpaper, 26” x 20”

A:  I’ll describe a typical day at the studio.  When I first arrive in the morning, I read for 30 minutes. Reading focuses and quiets my mind and gets me ready to begin the day’s work.  While I read, I look at the pastel painting that’s on my easel to see where to begin.  Then I close the book, turn on some music, plug in the Halogen lamps I use while working, apply a barrier cream to my hands, put on a surgical mask (to avoid breathing pastel dust), pick up a pastel, and start.   

I never sit while working.  I enjoy the physicality of art-making and prefer to stand at my easel so I can back up to see how the pastel painting looks from a distance.  I like being on my feet all day and getting some exercise.  I work for a couple of hours, break for lunch, and then work the rest of the afternoon.

I believe artists need to be disciplined.  I work five days a week, taking Wednesdays and Sundays off, and spend seven hours or more per day in the studio.  Daylight is essential so I work more hours in summer, fewer in winter.  I like to think of art-making as independent of time tables, but I tend to work in roughly two-hour blocks before taking a break.  I typically work until 5:00 or so.

Studio hours are sacrosanct and exclusively for creative work.  I do not have WiFi at my studio and prefer to keep my computer and mobile devices elsewhere (they devour time).  Art business activities – answering email, keeping up with social media, sending jpegs, writing blog posts, doing interviews, etc. – are accomplished at home in the mornings, in the evenings, and on days off from the studio.

Comments are welcome!

Q: What are some of your work habits? Do you sit most of the day?

Barbara at work, Photo: Marianne Barcellona

Barbara at work, Photo: Marianne Barcellona

A:  No, I never sit while working.  I enjoy the physicality of art-making and prefer to stand at my easel so I can back up to see how a painting looks from a distance.  I like being on my feet all day and getting some exercise.

In order to accomplish anything, artists need to be disciplined.  I work five days a week, taking Wednesdays and Sundays off, and spend seven hours or more in the studio.  Daylight is necessary so I work more hours in summer, fewer in winter.  I deliberately don’t have a clock on the wall – art-making is independent of timetables – but I tend to work in roughly two-hour blocks before taking a break. 

Studio hours are sacrosanct and exclusively for creative work.  I keep my computer and mobile devices out of the studio.  Art business activities – answering email, keeping up with social media, sending jpegs, writing blog posts, doing interviews, etc. – are mostly accomplished at home in the evenings and on days off.

Comments are welcome!         

Pearls from artists* # 97

 

"No Cure for Insomnia," pastel on sandpaper, 58" x 38"

“No Cure for Insomnia,” pastel on sandpaper, 58″ x 38″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

“Art should be independent of all clap-trap – should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like,” he wrote in The Gentle Art of Making Enemies.

Take the picture of my mother, exhibited at the Royal Academy as an “Arrangement in Grey and Black.” Now that is what it is.  To me it is interesting as a picture of my mother; but what can or ought the public to care about the identity of the portrait? 

James McNeill Whistler quoted in Whistler:  The Enraged Genius by Christopher Benfey in The New York Review of Books, June 5, 2014

Comments are welcome!

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