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Q: Do you have a favorite among your thousands of travel photographs from around the world?

Tile worker, South India

Tile worker, South India

A:  I do!  It is this photograph of a family matriarch filling a water jar.  I don’t remember the name of the village, but it was somewhere in South India at a clay-tile-making workshop.

Walking in, I immediately stopped in my tracks.  Had I just traveled back in time to some 18th century workshop?  I found her appearance and demeanor extraordinary!  (Regretfully, I did not ask her name).  She was tiny, yet she was the boss whose authority and judgement were beyond question.   After observing her move around the studio for a few minutes, I asked if I might have a photograph.  She immediately struck this arresting and classic pose.  I smiled to myself, “Obviously, she has done this a few times!”

Comments are welcome!

Q: Do you use a sketchbook?

Hudson Yards, NYC

Hudson Yards, NYC

A:  I used to use a sketchbook early on, when I was just beginning to find my way as an artist.   Sketching on location helped to crystalize my ideas about art, about technique, and about what I hoped to accomplish in the near term.  These days I spend so many hours in the studio – it’s my day job – that I often need a mental and physical break from using my eyes and from looking at and composing images. 

What I do instead is to walk around New York (and elsewhere) with a camera.  Photography for me sometimes serves as an alternative to sketching.  It’s a way to continue to think about art, to experiment, and to contemplate what makes an arresting image without actually having to be working in the studio. 

Comments are welcome!   

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