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Q: Do you have a favorite among your thousands of travel photographs from around the world?

Tile worker, South India

Tile worker, South India

A:  I do!  It is this photograph of a family matriarch filling a water jar.  I don’t remember the name of the village, but it was somewhere in South India at a clay-tile-making workshop.

Walking in, I immediately stopped in my tracks.  Had I just traveled back in time to some 18th century workshop?  I found her appearance and demeanor extraordinary!  (Regretfully, I did not ask her name).  She was tiny, yet she was the boss whose authority and judgement were beyond question.   After observing her move around the studio for a few minutes, I asked if I might have a photograph.  She immediately struck this arresting and classic pose.  I smiled to myself, “Obviously, she has done this a few times!”

Comments are welcome!

Pearls from artists* # 341

Barbara’s studio

Barbara’s studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The classic work of art is a form of life with its own bizarre consciousness.  In the performing arts – theater, dance, music – this consciousness is not reducible to the minds of the performers onstage.  The participants are parts of a spiritual organism that includes and transcends them.  In our modern materialist mindset we naturally attribute the impression that a work speaks in its own voice to the intention of the author, who used it as a vehicle for her own ideas.  But… works of art express much that their authors never intended to say:  they exceed the limited views of those who bring them into being.    

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

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