Blog Archives
Travel photo of the month*
Calder Room at the National Gallery of Art, Washington, DC
*Favorite travel photos that have not yet appeared in this blog
Comments are welcome!
Travel photo of the month*
Smithsonian Castle, Washington, DC
* Favorite travel photos that have not yet appeared in this blog
Comments are welcome!
Travel photo of the month*
Ollantaytambo in Peru‘s Sacred Valley
* Favorite travel photos that have not yet appeared in this blog
Because reminiscing while looking through old photographs is one of the few ‘travel’ options open to Americans now… sigh!
Comments are welcome!
Q: Do you have a favorite among your thousands of travel photographs from around the world?
Tile worker, South India
A: I do! It is this photograph of a family matriarch filling a water jar. I don’t remember the name of the village, but it was somewhere in South India at a clay-tile-making workshop.
Walking in, I immediately stopped in my tracks. Had I just traveled back in time to some 18th century workshop? I found her appearance and demeanor extraordinary! (Regretfully, I did not ask her name). She was tiny, yet she was the boss whose authority and judgement were beyond question. After observing her move around the studio for a few minutes, I asked if I might have a photograph. She immediately struck this arresting and classic pose. I smiled to myself, “Obviously, she has done this a few times!”
Comments are welcome!
Q: Travel is an essential aspect of your work. How do you decide where to travel next?
In the Bolivian Andes at about 14,000’
A: Generally, I am most interested in exploring Mexico and destinations in Central and South American because they offer endless inspiration to further my work. I’m not exactly certain why this is the case. I DO know that I cannot get enough of travel to points south!
My 2017 trip to Bolivia proved to be crucial for my current pastel painting series. “Bolivianos” is based on an exhibition of Carnival masks encountered at the National Museum of Ethnology and Folklore in La Paz.
I had high hopes of making a return visit – along with a private tour guide – last February. However, since President Moreno resigned last November, much political instability, violence, and turmoil resulted. I would not have felt safe traveling to Oruro to see Carnival celebrations this year.
In the mean time I look forward to traveling to Chile, the Atacama Desert, and Easter Island next winter!
Comnents are welcome!
Pearls from artists* # 394
White Sands, NM
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Dear Person Reading This,
A writer can fit a whole world inside a book. Really. You can go there. You can learn things while you’re away. You can bring them back to the world you normally live in.
You can look out of another person’s eyes, think their thoughts, care about what they care about.
You can fly. You can travel to the stars. You can be a monster or a wizard or a god. You can be a girl. You can be a boy. Books give you worlds of infinite possibility. All you have to do is be interested enough to read that first page…
Somewhere, there is a book written just for you. It will fit your mind like a glove fits your hand. And it’s waiting.
Go and look for it.
Neil Gaiman
A Velocity of Being: Letters to a Young Reader edited by Maria Popova and Claudia Bedrick
Comments are welcome!
Travel photo* of the month
Copacabana, Bolivia
* Favorite travel photos that have not yet appeared in this blog.
Comments are welcome!
Travel photo of the month*
Southampton, NY
* Favorite travel photos that have not yet appeared in this blog.
Comments are welcome!
Q: Why do you make art?
“Why Do I Make Art” by Ursula von Rydingsvard
A: Last spring I viewed Ursula von Rydingsvard’s exhibition at the National Museum of Women in the Arts. One thing that stayed with me is her wall text, “Why Do I Make Art by Ursula von Rydingsvard” in which she listed a few dozen benefits that art-making has brought to her life.
I want to share some of my own personal reasons here, in no particular order. My list keeps changing, but these are true at least for today.
1. Because I love the entire years-long creative process – from foreign travel whereby I discover new source material, to deciding what I will make, to the months spent in the studio realizing my ideas, to packing up my newest pastel painting and bringing it to my Virginia framer’s shop, to seeing the framed piece hanging on a collector’s wall, to staying in touch with collectors over the years and learning how their relationship to the work changes.
2. Because I love walking into my studio in the morning and seeing all of that color! No matter what mood I am in, my spirit is immediately uplifted.
3. Because my studio is my favorite place to be… in the entire world. I’d say that it is my most precious creation. It’s taken more than twenty-two years to get it this way. I hope I never have to move!
4. Because I get to listen to my favorite music all day or to Public Radio stations.
5. Because when I am working in the studio, if I want, I can tune out the world and all of it’s urgent problems. The same goes for whatever personal problems I am experiencing.
6. Because I am devoted to my medium. How I use pastel continually evolves. It’s exciting to keep learning about its properties and to see what new techniques will develop.
7. Because I have been given certain gifts and abilities and that entails a sacred obligation to USE them. I could not live with myself were I to do otherwise.
8. Because art-making gives meaning and purpose to my life. I never wake up in the morning wondering, how should I spend the day? I have important work to do and a place to do it. I know this is how I am supposed to be spending my time on earth.
9. Because I have an enviable commute. To get to my studio it’s a thirty-minute walk, often on the High Line early in the morning before throngs of tourists have arrived.
10. Because life as an artist is never easy. It’s a continual challenge to keep forging ahead, but the effort is also never boring.
11. Because each day in the studio is different from all the rest.
12. Because I love the physicality of it. I stand all day. I’m always moving and staying fit.
13. Because I have always been a thinker more than a talker. I enjoy and crave solitude. I am often reminded of the expression, “She who travels the farthest, travels alone.” In my work I travel anywhere.
14. Because spending so much solitary time helps me understand what I think and feel and to reflect on the twists and turns of my unexpected and fascinating life.
15. Because I learn about the world. I read and do research that gets incorporated into the work.
16. Because I get to make all the rules. I set the challenges and the goals, then decide what is succeeding and what isn’t. It is working life at its most free.
17. Because I enjoy figuring things out for myself instead of being told what to do or how to think.
18. Because despite enormous obstacles, I am still able to do it. Art-making has been the focus of my life for thirty-three years – I was a late bloomer – and I intend to continue as long as possible.
19. Because I have been through tremendous tragedy and deserve to spend the rest of my life doing exactly what I love. The art world has not caught up yet, but so be it. This is my passion and my life’s work and nothing will change that.
20. Because thanks to the internet and via social media, my work can be seen in places I have never been to and probably will never go.
21. Because I would like to be remembered. The idea of leaving art behind for future generations to appreciate and enjoy is appealing.
Comments are welcome!
Q: You are a multi-talented woman! Tell us about your book, “From Pilot to Painter,” and how writing, for you, compares to painting and photography. Which do you prefer?
“From Pilot to Painter”
A: I am pleased that my eBook FROM PILOT TO PAINTER is available on Amazon and iTunes. It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now. The eBook includes new material not found on the blog, plus 25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.
“Barbara Rachko’s Colored Dust” (the title of my blog) continues to be a crucial part of my overall art practice. Blogging twice a week forces me to think deeply about my work and to explain it clearly to others. The process has helped me develop a better understanding about why I make art and has encouraged me to become a better writer.
From the beginning in the 1980s I used photographs as reference material and Bryan would shoot 4” x 5” negatives of my elaborate setups with his Toyo-Omega view camera. In those days I rarely picked up a camera except when we were traveling. After Bryan was killed on 9/11, I inherited his extensive camera collection – old Nikons, Leicas, Graphlex cameras, etc. – and I wanted to learn how to use them. In 2002 I enrolled in a series of photography courses (about 10 over 4 years) at the International Center of Photography in New York. I learned how to use all of Bryan’s cameras and how to make my own big color prints in the darkroom. Along the way I discovered that the sense of composition, form, and color I developed over many years as a painter translated well into photography. The camera was just another medium with which to express my ideas. Astonishingly, in 2009 I had my first solo photography exhibition in New York.
It’s wonderful to be both a painter and a photographer. Pastel painting will always be my first love, but photography lets me explore ideas much faster than I ever could as a painter. Paintings take months of work. To me, photographs – from the initial impulse to hanging a framed print on the wall – are instant gratification.
For two years I have been using my iPad Pro to capture thousands of travel photographs. Most recently, I visited Gujarat and Rajasthan in India. I have never been inclined to use a sketchbook so composing photos on my iPad keeps my eye sharp while I’m halfway around the world, far from my studio practice.
Comments are welcome!
