Blog Archives
Pearls from artists* # 407
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
In the images [the paintings of the Chauvet cave in southern France] this prehistoric people have bequeathed to us, we get a glimpse of something like a shared humanity, but we also gaze into a stranger part of ourselves, something reaching to the depths. Since we do not know the context in which the paintings were made, we cannot in good faith chalk them up to some clear pragmatic end. We are seeing art in its naked state, deprived of any discernible appropriation. This can trouble our secular sensibilities since it confronts us not just with the mysteries of nature, but more strikingly still with the riddle of the presence of such things as us in the otherwise coherent physical world. Given the fact that the molecular chemistry that makes life possible is the same throughout the cosmos, would finding works of art on Mars or a remote planet be any more uncanny than finding them here on Earth?
F. Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action
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Pearls from artists* # 190
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
For fifty years, I worked tirelessly, never looking up, interested in nothing but the organization of my own brain. And the works that came had their significance – which was just as well. Otherwise, I’d be a completely useless fellow.
Still, that’s not the point. The point is, I was lucky enough to be able to do fifty years’ work, until I was sixty-five. What happened was, I had to pay for it. It comes around for everyone. I’ve paid my dues!
Chatting with Henri Matisse: The Lost 1941 Interview, Henri Matisse with Pierre Courthion, edited by Serge Guilbaut, translated by Chris Miller
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Pearls from artists* # 164
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
The Eastern and Western classics are full of gods, saints, and heroes, all striving against life’s odds and overcoming them with perseverance, courage, energy and hope as well as help from some sort of divine energy. Unlike the gods, the saints, gurus, and heroes are humanized in creative works. Otherwise, we would find it difficult to accept them, relate to them or look up to them for inspiration and courage. It is the humanization of the subject that makes the supernatural sometimes feel real. And sometimes makes the impossible seem reachable and achievable. The classic writings all contain humanized heroes, saints and gods. The characters in these books are so humanized that the courage and inspiration we get from their endurance in overcoming life’s challenges will keep on inspiring readers forever. Because of this we can aspire to their accomplishments. If we too are able to create meaningful works providing timeless inspiration to help others, our work will live on.
Samuel Odoquei in Origin of Inspiration: Seven Short Essays for Creative People
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Pearls from artists* # 134
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
You never want to forget your roots. Going back to your roots is very important so you don’t get carried away from something essential. Otherwise, you move farther and farther away from the hands-on approach to making art. It is very important to go back to the beginnings at all times. You spiral back.
Conversations with Meredith Monk by Bonnie Marranca
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Pearls from artists* # 59
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Friends sometimes ask, “Don’t you get lonely sitting by yourself all day?” At first it seemed odd to hear myself say No. Then I realized that I was not alone; I was in the book; I was with the characters. I was with my Self.
Not only do I not feel alone with my characters; they are more vivid and interesting to me than the people in my real life. If you think about it, the case can’t be otherwise. In order for a book (or any project or enterprise) to hold our attention for the length of time it takes to unfold itself, it has to plug into some internal perplexity or passion that is of paramount importance to us. The problem becomes the theme of our work, even if we can’t at the start understand or articulate it. As the characters arise, each embodies infallibly an aspect of that dilemma, that perplexity. These characters might not be interesting to anyone else but they’re absolutely fascinating to us. They are us. Meaner, smarter, sexier versions of ourselves. It’s fun to be with them because they’re wrestling with the same issue that has its hooks into us. They’re our soul mates, our lovers, our best friends. Even the villains. Especially the villains.
Stephen Pressfield in The War of Art
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Pearls from artists* # 44
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
I cannot even imagine the individual arts sufficiently distinct from one another. This admittedly exaggerated attitude might have its most acute origin in the fact that in my youth, I, quite inclined toward painting, had to decide in favor of another art so as not to be distracted. And thus I made this decision with a certain passionate exclusivity. Based on my experience, incidentally, every artist needs to consider for the sake of intensity his means of expression to be basically the only one possible while he is producing. For otherwise he could not easily suspect that this or that piece of world would not be expressible by his means at all and he would finally fall into that most interior gap between the individual arts, which is surely wide enough and could be genuinely bridged only by the vital tension of the great Renaissance masters. We are faced with the task of deciding purely, each one alone, on his one mode of expression, and for each creation that is meant to be achieved in this one area all support from the other arts is a weakening and a threat.
Ulrich Baer, editor, The Wisdom of Rilke
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