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Q: Would you speak about the creative process that resulted in your 1994 pastel painting, “Amok”?

Barbara with “Amok” photo and painting
Barbara with “Amok,” c-print and pastel painting

A: Behind me in the photo above is one of my circa 1994 50” x 40” c-prints, signed by both Bryan, my late husband, and me. The photo was my reference for a pastel painting titled, “Amok” (right, above).

I staged these photos in our Alexandria house (staged photography was popular then), refined the composition over days or weeks, and lit the scene using two tungsten studio lights. I was careful to accentuate the shadows, doing what I could to light everything as though it were a film noir set. (Film noir is still a favorite movie genre of mine).

In those days I knew nothing about photography so I considered these photos collaborations, since Bryan clicked the shutter. (He typically shot two pieces of film using his old Toyo Omega 4 x 5 view camera with a rented wide angle lens). Bryan was reluctant to take any credit- insisting that the idea, concept, etc. were mine – but I persuaded him to also sign the photos. (How I wish he were still around to fill in forgotten details about our collaboration).

People enjoyed and often asked to purchase the reference photos so I sometimes had them enlarged and sold them. The dragon in the foreground is significant because it was my first purchase in Oaxaca during our initial trip to Mexico.

If anyone is interested, please remind me to tell the (long) story about how I got it home on the plane!  

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  “White Star,” 38″ x 58″ is slowly progressing.  The title of this painting alludes to David Bowie’s last album, “Dark Star” and is my somewhat more optimistic take on that phrase.   

The white Guatemalan figure and the Sri Lankan mask on the top right still could use more details.  Over time the “Black Paintings” series is becoming more about what is left out. So how much detail to add is an open question.  

Comments are welcome!  

Q: In terms of change where will you take your work next?

Barbara's studio

Barbara’s studio

A:  That’s difficult to say because creating new pastel paintings is a somewhat mysterious process.  Change happens on its own timetable and in its own way rather than from my efforts to exert conscious control over it.  In essence it is my job to keep working in the studio, to be sensitive and true to my own creative process, and to go where the work leads.  I doubt that I could work otherwise and still claim to be authentic.

Comments are welcome!     

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am putting finishing touches on a small pastel painting called, “Spectral.”  I worked on it before and after Halloween.  Somewhat atypical for my pastel paintings, it clearly reflects the time of year that it was created.  

Comments are welcome!

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