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Q: Would you speak about the creative process that resulted in your 1994 pastel painting, “Amok”?

Barbara with “Amok” photo and painting
Barbara with “Amok,” c-print and pastel painting

A: Behind me in the photo above is one of my circa 1994 50” x 40” c-prints, signed by both Bryan, my late husband, and me. The photo was my reference for a pastel painting titled, “Amok” (right, above).

I staged these photos in our Alexandria house (staged photography was popular then), refined the composition over days or weeks, and lit the scene using two tungsten studio lights. I was careful to accentuate the shadows, doing what I could to light everything as though it were a film noir set. (Film noir is still a favorite movie genre of mine).

In those days I knew nothing about photography so I considered these photos collaborations, since Bryan clicked the shutter. (He typically shot two pieces of film using his old Toyo Omega 4 x 5 view camera with a rented wide angle lens). Bryan was reluctant to take any credit- insisting that the idea, concept, etc. were mine – but I persuaded him to also sign the photos. (How I wish he were still around to fill in forgotten details about our collaboration).

People enjoyed and often asked to purchase the reference photos so I sometimes had them enlarged and sold them. The dragon in the foreground is significant because it was my first purchase in Oaxaca during our initial trip to Mexico.

If anyone is interested, please remind me to tell the (long) story about how I got it home on the plane!  

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A: I have just started working on a small (20″ x 26″) pastel painting.  The figure is a Balinese dragon I found last summer at “Winter Sun & Summer Moon” in Rhinebeck, New York.  

Preferring to collect these figures while traveling in their countries of origin, I made an exception this time.  My reasoning?  I have been to Bali (in 2012) and at four feet tall and carved from solid wood, this dragon is quite heavy and would have been difficult to bring home.         

Comments are welcome! 

Q: Do you have any favorites among the Mexican and Guatemalan folk art figures that you depict in your work?

Idea for an upcoming pastel painting

Idea for an upcoming pastel painting

A:  I suppose it seems that way, since I certainly paint some figures more than others.  My favorite characters change, depending on what is happening in my work.  My current favorites are a figure I have never painted before (the Balinese dragon above) and several Mexican and Guatemalan figures last painted years ago.  All will make an appearance in a pastel painting for which I am still developing preliminary ideas (above).

Comments are welcome!    

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