Blog Archives

Q: Would you speak about the creative process that resulted in your 1994 pastel painting, “Amok”?

Barbara with “Amok” photo and painting
Barbara with “Amok,” c-print and pastel painting

A: Behind me in the photo above is one of my circa 1994 50” x 40” c-prints, signed by both Bryan, my late husband, and me. The photo was my reference for a pastel painting titled, “Amok” (right, above).

I staged these photos in our Alexandria house (staged photography was popular then), refined the composition over days or weeks, and lit the scene using two tungsten studio lights. I was careful to accentuate the shadows, doing what I could to light everything as though it were a film noir set. (Film noir is still a favorite movie genre of mine).

In those days I knew nothing about photography so I considered these photos collaborations, since Bryan clicked the shutter. (He typically shot two pieces of film using his old Toyo Omega 4 x 5 view camera with a rented wide angle lens). Bryan was reluctant to take any credit- insisting that the idea, concept, etc. were mine – but I persuaded him to also sign the photos. (How I wish he were still around to fill in forgotten details about our collaboration).

People enjoyed and often asked to purchase the reference photos so I sometimes had them enlarged and sold them. The dragon in the foreground is significant because it was my first purchase in Oaxaca during our initial trip to Mexico.

If anyone is interested, please remind me to tell the (long) story about how I got it home on the plane!  

Comments are welcome!

Q: What’s on the easel today?

Finished and signed lower left

Finished and signed lower left

A:  At last!  I’ve finished and signed “Trickster,” soft pastel on sandpaper, 26” x 20.” 

Comments are welcome!

Start/Finish of “Avenger,” Soft Pastel on Sandpaper, 58″ x 38″

Start

Start

Finished and signed lower right

Finished and signed lower right

Comments are welcome!

 

Start/Finish of “Sentinels,” Soft Pastel on Sandpaper, 38” x 58”

Start

Start

Finished, signed lower left

Finished, signed lower left

Comments are welcome!

Q: What’s on the easel today?

“Sentinels,” Soft Pastel on Sandpaper, 38” x 58”

“Sentinels,” Soft Pastel on Sandpaper, 38” x 58”

A:  At last, I have put finishing touches on “Sentinels,” 38” x 58,” and signed it!  The photographer will photograph it and then, on my next trip south, this painting goes to the framer in Virginia.

Comments are welcome!

Start/Finish of “Poseur,” Soft Pastel on Sandpaper, 58” x 38”

Start

Start

Finished, signed lower left

Finished, signed lower left

Comments are welcome!

Q: What’s on the easel today?

Finished and signed

Finished and signed

A:  I have finally finished “Oracle,” soft pastel on sandpaper, 26” x 20.”  It’s the third piece in my “Bolivianos” series. 

Comments are welcome!

Start/Finish of “Stalemate,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finished and signed, lower right

Finished and signed, lower right

Comments are welcome!

 

 

 

Start/Finish of “Survivors,” soft pastel on sandpaper, 20″ x 26,” 2017

 

Erased charcoal underdrawing

Erased charcoal underdrawing

Finished and signed

Finished and signed

Comments are welcome!

Q: How can you tell with certainty when a pastel painting is finished?

“Poker Face,” soft pastel on sandpaper, 38″ x 58″

A:  For me a work is finished when to add or subtract some element causes the composition to diminish or somehow weaken.  It’s mostly a matter of where I want viewers to look and how I decide to lead their eyes around a painting.

I work on each piece for several months so that by the time it’s nearly done, I can no longer see flaws.  I put it aside for a week or two.  Then I pull it out again, turn it upside down, and any details that need improving become obvious.  Once I fix them, I know the painting is finally finished and ready to be signed, photographed, and delivered to my framer.

Comments are welcome!

         

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