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Q: What’s on the easel today?

“Sentinels,” Soft Pastel on Sandpaper, 38” x 58”

“Sentinels,” Soft Pastel on Sandpaper, 38” x 58”

A:  At last, I have put finishing touches on “Sentinels,” 38” x 58,” and signed it!  The photographer will photograph it and then, on my next trip south, this painting goes to the framer in Virginia.

Comments are welcome!

Q: Can you tell us about the different series of work you have created and what they embody?

Barbara’s studio with work in progress

Barbara’s studio with work in progress

A:  The Black Paintings series of pastel-on-sandpaper paintings grew directly from an earlier series, Domestic Threats.  While both use cultural objects as surrogates for human beings acting in mysterious, highly-charged narratives, in the Black Paintings I replaced all background details of my actual setup (furniture, rugs, etc.) with lush black pastel.  In this work the ‘actors’ are front and center.

While traveling in Bolivia two years ago, I visited a mask exhibition at the National Museum of Ethnography and Folklore in La Paz.  The masks were presented against black walls, spot-lit, and looked eerily like 3D versions of my Black Paintings.  I immediately knew I had stumbled upon a gift.  So  far I have completed nine pastel paintings in the Bolivianos series.  One is awaiting finishing touches, one is in progress now, and I am planning the next one.

All of my pastel paintings are an example of a style called “contemporary conceptual realism” in which things are not quite as innocent as they seem.  In this sense each painting is a kind of Trojan horse.  There is plenty of backstory to my images, although I usually prefer not to over-explain them.  Some mystery must always remain in art.

The world I depict is that of the imagination and this realm owes little debt to the natural world.  I recently gave an art talk where I was reminded how fascinating it is to learn how others respond to my work.  As New York art critic Gerrit Henry once remarked, “What we bring to a Rachko… we get back, bountifully.” 

Comments are welcome!

 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  “Poseur,” Soft Pastel on Sandpaper, 58’ x 38” is awaiting finishing touches…  at last!

Comments are welcome!

Q: Do you work with a particular audience in mind?

"Shamanic," 26" x 20," finished

“Shamanic,” 26″ x 20,” finished

A:  In general I would answer no, I have no ‘specific’ audience in mind.  But I DO consider the audience in this sense.  As I put finishing touches on a pastel painting, I pay attention to how all of my decisions up to that point lead  the viewer’s eyes around.  I fine tune – brightening some areas, heightening the contrast with what’s next to it, blurring, fading, and pushing back others – all to keep the viewer’s gaze moving around the painting.  Once I am satisfied that it’s as visually exciting as I can make it, I consider the pastel painting finished, ready to be photographed, and driven to Virginia for framing.

Comments are welcome!    

Q: What’s on the easel today?

Work in progress

Work in progress

A:  This 58 x 38” pastel painting needs some finishing touches before it’s done.  It has a new title, “Prophecy.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am putting a few finishing touches on “Conundrum,” soft pastel on sandpaper, 38″ x 58″.

Comments  are welcome!

Q: What’s on the easel today?

"A Long Goodbye," soft pastel on sandpaper, 26" x 20"

“A Long Goodbye,” soft pastel on sandpaper, 26″ x 20″

A:  I am putting finishing touches on a small pastel painting called, “A Long Goodbye.”  It’s a smaller, cropped version of a larger piece completed in 2013 called, “The Ancestors” (below).

"The Ancestors" in Barbara's studio

“The Ancestors” in Barbara’s studio

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am putting finishing touches on “Incognito.”

Comments are welcome!

Q: What’s on the easel today?

"Blind Faith," soft pastel on sandpaper, 38" x 58"

“Blind Faith,” soft pastel on sandpaper, 38″ x 58″

A:  I am putting finishing touches on a pastel-on-sandpaper painting called “Blind Faith.” Comments are welcome!

Q: What’s on the easel today?

"Stalemate," 2013, soft pastel on sandpaper, 38" x 58"

“Stalemate,” 2013, soft pastel on sandpaper, 38″ x 58″

A:  I’m finally putting finishing touches on “Stalemate.”

Comments are welcome!

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