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Q: Can you tell us about the different series of work you have created and what they embody?

Barbara’s studio with work in progress

Barbara’s studio with work in progress

A:  The Black Paintings series of pastel-on-sandpaper paintings grew directly from an earlier series, Domestic Threats.  While both use cultural objects as surrogates for human beings acting in mysterious, highly-charged narratives, in the Black Paintings I replaced all background details of my actual setup (furniture, rugs, etc.) with lush black pastel.  In this work the ‘actors’ are front and center.

While traveling in Bolivia two years ago, I visited a mask exhibition at the National Museum of Ethnography and Folklore in La Paz.  The masks were presented against black walls, spot-lit, and looked eerily like 3D versions of my Black Paintings.  I immediately knew I had stumbled upon a gift.  So  far I have completed nine pastel paintings in the Bolivianos series.  One is awaiting finishing touches, one is in progress now, and I am planning the next one.

All of my pastel paintings are an example of a style called “contemporary conceptual realism” in which things are not quite as innocent as they seem.  In this sense each painting is a kind of Trojan horse.  There is plenty of backstory to my images, although I usually prefer not to over-explain them.  Some mystery must always remain in art.

The world I depict is that of the imagination and this realm owes little debt to the natural world.  I recently gave an art talk where I was reminded how fascinating it is to learn how others respond to my work.  As New York art critic Gerrit Henry once remarked, “What we bring to a Rachko… we get back, bountifully.” 

Comments are welcome!

 

Pearls from artists* # 98

Teleidoscope

Teleidoscope

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A work of art can start you thinking about some aesthetic or philosophical problem; it can suggest some new method, some fresh approach to fiction.  But the relationship between reading and writing is rarely so clear-cut…

To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light.  Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies.  The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own – a difference that will remind you of how many rooms there are in the house of art.

Francine Prose in Reading Like a Writer:  A Guide for People Who Love Books and for Those Who Want to Write Them  

Comments are welcome!

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