Blog Archives

Q: What’s on the easel today?

Work in progress

Work in progress

A:  “Avenger,” soft pastel on sandpaper, 58” x 38” awaits finishing touches.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  “Schemer,” Soft Pastel on Sandpaper, 26” x 20” is nearly finished.  Among other things, I will do more blending to soften the transitions from light to dark in the fabric.

Comments are welcome!

Q: What’s on the easel today?

Preliminary sketch

Preliminary sketch

A:  This is a preliminary charcoal sketch for my next large (58” x 38”) pastel painting.  I loved seeing “The Champ,” 26” x 20,” blown-up as a poster in the London Underground so I decided to create a larger original.  Now I can’t wait to tackle all that hair!  So far the sketch resembles a Rastafarian, but who knows if that will carry over to the pastel painting!  Stay tuned.

Comments are welcome! 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I’m beginning a new 26” x 20” pastel painting, which will be number eleven in the “Bolivianos” series.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on the latest in the “Bolivianos” series, “Poseur,” Soft Pastel on Sandpaper, 58” x 38.”  I haven’t decided yet whether to put a pattern on the fabric.

Comments are welcome!

Q: What’s on the easel today?

Works in progress

Works in progress

A:  I have two large (38” x 58” and 58” x 38”) untitled pastel paintings in progress. 

Comments are welcome!

Q: What’s on the easel today?

Preliminary charcoal sketch in progress.

Preliminary charcoal sketch in progress.

A:  I am starting a new preliminary sketch for my next pastel painting.  This will be number nine in the “Bolivianos” series!  

In 2018 I made six new pastel paintings, which is more than usual.  The last time I created six in one year was 1996!

Comments are welcome! 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  This 58 x 38” pastel painting needs some finishing touches before it’s done.  It has a new title, “Prophecy.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue slowly working on a small, 26” x 20,” untitled pastel painting.

Comments are welcome!

Pearls from artists* # 323

"The Absence," soft pastel on sandpaper, 26" x 20"

“The Absence,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art cannot play to the demand because it inheres precisely in bringing forth the unexpected, the New.  It unearths what normality buries away.  No wonder so many people are afraid of it.

All authentic art, then, is “challenging,” not just the avant-garde.  We cannot omit the fact that some great art has an outer layer that makes it more agreeable to popular taste at a particular moment.  For example, the work of Vincent van Gogh, one of modernisms prime instigators in the visual arts, seems to be everywhere today even though no one saw much to like in it while he was alive.  But while it may be true that on the surface van Gogh’s work is all pretty colors and neat swirls, its immediate appeal is a siren’s song luring us to the depths.  There is a chaos lurking in every print of Starry Night (1889) that livens up a suburban bathroom.  This chaos isn’t something that van Gogh injected into his painting of an otherwise benign night sky.  It is the essence of the starry sky when seen for what it is, that is, when captured outside all comforting clichés that might shield us from its compelling monstrosity.   

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

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