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Q: Would you share your artist’s statement for the “Bolivianos” series?

Museum of Ethnography and Folklore, La Paz, Bolivia

Museum of Ethnography and Folklore, La Paz, Bolivia

A:  Here it is.

My long-standing fascination with traditional masks took a leap forward in the spring of 2017 when I visited the National Museum of Ethnography and Folklore in La Paz, Bolivia. One particular exhibition on view, with more than fifty festival masks, was completely spell-binding.

The masks were old and had been crafted in Oruro, a former tin-mining center about 140 miles south of La Paz on the cold Altiplano (elevation 12,000’). Depicting important figures from Bolivian folklore traditions, the masks were created for use in Carnival celebrations that happen each year in late February or early March. 

Carnival in Oruro revolves around three great dances. The dance of “The Incas” records the conquest and death of Atahualpa, the Inca emperor when the Spanish arrived in 1532.  “The Morenada” dance was once assumed to represent black slaves who worked in the mines, but the truth is more complicated (and uncertain) since only mitayo Indians were permitted to do this work.  The dance of “The Diablada” depicts Saint Michael fighting against Lucifer and the seven deadly sins.  The latter were originally disguised in seven different masks derived from medieval Christian symbols and mostly devoid of pre-Columbian elements (except for totemic animals that became attached to Christianity after the Conquest).  Typically, in these dances the cock represents Pride, the dog Envy, the pig Greed, the female devil Lust, etc.

The exhibition in La Paz was stunning and dramatic. Each mask was meticulously installed against a dark black wall and strategically spotlighted so that it became alive.  The whole effect was uncanny.  The masks looked like 3D versions of my “Black Paintings,” a pastel paintings series I have been creating for ten years.  This experience was a gift… I could hardly believe my good fortune!

Knowing I was looking at the birth of a new painting series – I said as much to my companions as I remained behind while they explored other parts of the museum – I spent considerable time composing photographs.  Consequently, I have enough reference material to create new pastel paintings in the studio for several years. The series, entitled “Bolivianos,” is arguably my strongest and most striking work to date.  

Comments are welcome!

 

Q: What’s on the easel today?

Finished and signed

Finished and signed

A:  I have finally finished “Oracle,” soft pastel on sandpaper, 26” x 20.”  It’s the third piece in my “Bolivianos” series. 

Comments are welcome!

Start/finish of “The Orator,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finish

Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

“The Orator,” soft pastel on sandpaper, 38” x 58”

“The Orator,” soft pastel on sandpaper, 38” x 58”

A:  Having finally finished “The Orator” (bottom), I continue working on a small pastel painting that does not have a title yet (top).  The latter is the third piece in my “Bolivianos” series.  

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I’m working on the third pastel painting in my new “Bolivianos” series.  This one is only a few days old and has no title yet.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am continuing work on “The Orator,” 38″ x 58,” the second pastel painting in my new “Bolivianos” series.

Comments are welcome!

Q: Would you elaborate as to how your recent trip to Bolivia is influencing your work just now?

La Paz, Bolivia

La Paz, Bolivia

A:   I consider myself extremely fortunate to have seen a mask exhibition at the National Museum of Ethnography and Folklore when I visited La Paz in May.  Presented as they were against black walls with dramatic spot-lighting, the masks looked exactly like 3D versions of my paintings!  These old Bolivian masks were stunning.

I spent a long time there composing photographs on my iPad.  Immediately I knew this exhibition was a gift because I now had material to keep me busy in the studio for several years.

I have completed the first pastel painting in my new series, “Bolivianos,” and am far along into the second.  I’m looking forward to many more to come!

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I’m working on a large pastel painting based on a photograph shot when I was vacationing recently in La Paz, Bolivia.  How fortuitous to stumble upon a mask exhibition at The National Museum of Ethnography and Folklore!  It felt as though the exhibition somehow was staged for me, just waiting for me to come along and photograph it. 

Incredibly, I returned to New York, after a spectacular trip to Bolivia, and found myself with photographs that are inspiring a new series.  Certainly this has never happened before!  The series is tentatively called, “Bolivianos.”             

Comments are welcome!