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Q: Why do you make art?

“Why Do I Make Art” by Ursula von Rydingsvard

“Why Do I Make Art” by Ursula von Rydingsvard

A:  Last spring I viewed Ursula von Rydingsvard’s exhibition at the National Museum of Women in the Arts.  One thing that stayed with me is her wall text, “Why Do I Make Art by Ursula von Rydingsvard” in which she listed a few dozen benefits that art-making has brought to her life.  

I want to share some of my own personal reasons here, in no particular order.  My list keeps changing, but these are true at least for today. 

1.   Because I love the entire years-long creative process – from foreign travel whereby I discover new source material, to deciding what I will make, to the months spent in the studio realizing my ideas, to packing up my newest pastel painting and bringing it to my Virginia framer’s shop, to seeing the framed piece hanging on a collector’s wall, to staying in touch with collectors over the years and learning how their relationship to the work changes.

2.   Because I love walking into my studio in the morning and seeing all of that color!  No matter what mood I am in, my spirit is immediately uplifted.  

3.   Because my studio is my favorite place to be… in the entire world.  I’d say that it is my most precious creation.  It’s taken more than twenty-two years to get it this way.  I hope I never have to move!

4.   Because I get to listen to my favorite music all day or to Public Radio stations.

5.   Because when I am working in the studio, if I want, I can tune out the world and all of it’s urgent problems.  The same goes for whatever personal problems I am experiencing.

6.   Because I am devoted to my medium.  How I use pastel continually evolves.  It’s exciting to keep learning about its properties and to see what new techniques will develop.

7.   Because I have been given certain gifts and abilities and that entails a sacred obligation to USE them.  I could not live with myself were I to do otherwise.

8.   Because art-making gives meaning and purpose to my life.  I never wake up in the morning wondering, how should I spend the day?  I have important work to do and a place to do it.  I know this is how I am supposed to be spending my time on earth.

9.   Because I have an enviable commute.  To get to my studio it’s a thirty-minute walk, often on the High Line early in the morning before throngs of tourists have arrived.

10.  Because life as an artist is never easy.  It’s a continual challenge to keep forging ahead, but the effort is also never boring.  

11.  Because each day in the studio is different from all the rest. 

12.  Because I love the physicality of it.  I stand all day.  I’m always moving and staying fit.

13.  Because I have always been a thinker more than a talker.  I enjoy and crave solitude.  I am often reminded of the expression, “She who travels the farthest, travels alone.”  In my work I travel anywhere.

14.  Because spending so much solitary time helps me understand what I think and feel and to reflect on the twists and turns of my unexpected and fascinating life.

15.  Because I learn about the world.  I read and do research that gets incorporated into the work.

16.  Because I get to make all the rules.  I set the challenges and the goals, then decide what is succeeding and what isn’t.  It is working life at its most free.

17.  Because I enjoy figuring things out for myself instead of being told what to do or how to think.

18.  Because despite enormous obstacles, I am still able to do it.  Art-making has been the focus of my life for thirty-three years – I was a late bloomer – and I intend to continue as long as possible.

19.  Because I have been through tremendous tragedy and deserve to spend the rest of my life doing exactly what I love.  The art world has not caught up yet, but so be it.  This is my passion and my life’s work and nothing will change that.

20.  Because thanks to the internet and via social media, my work can be seen in places I have never been to and probably will never go.

21.  Because I would like to be remembered.  The idea of leaving art behind for future generations to appreciate and enjoy is appealing.

Comments are welcome!

Pearls from artists* # 308

"The Ancestors,” 70” x 50” framed, in Barbara's studio

“The Ancestors,” 70” x 50” framed, in Barbara’s studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art is mysterious because its purpose is unknown and its effect always exceeds the ends we put it to.  If it is true, for instance, that nearly all human societies see the possession of artistic objects as a sign of prestige and power, it may simply be because art’s primary quality makes it a suitable sign for those who want to legitimize their authority.  And while it may be the case that art ennobles us by bringing beauty into our lives, or that it conveys complex cultural ideas simply and effectively, or that it preserves the beliefs of one age for the next – again, these functions could very well follow from art’s original, mysterious, irreducible shining.  Just as it is the gleam of gold that makes it precious in our eye and not its preciousness that makes it gleam, so the primary quality of art could precede all of its uses and appropriations.  In other words art may be something before it becomes all the things we claim it to be.           

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

Q: Why don’t you teach or conduct pastel workshops?

Barbara in her studio

Barbara in her studio

A:  I am often asked to teach, but I never have had the desire to do so.  Because my work is extremely labor intensive, I am reluctant to give up precious studio time, either for teaching or for any activities that could be deemed a distraction.  Consistent in my creative practice, I typically work in my studio five days a week, seven or more hours a day and am able to complete four or five pastel-on-sandpaper paintings in a year.     

Teaching would divert time, attention, and energy away from my practice.  Certainly it can be rewarding in many ways but since my process is slow and meticulous, I prefer to focus on making new work.  

Comments are welcome!       

Pearls from artists* # 99

 

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think there are two very interesting stages in creative work.  One is confusion and one is boredom.  They generally both mean that there’s a big fish swimming under the water.  As Rilke said, “Live the questions.”  And not judge that there’s something wrong about confusion, because the people who are working, say, on the cure for leprosy – they work for years and years in a state of confusion, and very often they don’t find the cure.  They find something completely different.  But they keep living the question.  Confusion is absolutely essential to the creative process.  If there was no confusion, why do it?  I always feel that all of us have questions we’re asking all our lives, for our work, and if we ever found the answer, we’d stop working.  We wouldn’t need to work anymore.

Boredom – if you’ve ever been in therapy, you’d know that when you start getting bored, that’s really important.  The therapist sits up; there’s something going on, because the wall that you come against – that’s where the real gold is.   It’s really precious.

Andre Gregory (from My Dinner with Andre) in Anne Bogart, Conversations with Anne:  Twenty-four Interviews      

Comments are welcome!

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