Blog Archives

Pearls from artists* # 340

Lower Manhattan

Lower Manhattan

an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What, do you suppose, are the lives of those who raise themselves above the level of the common herd?  A continual struggle.  A writer, for instance, must struggle against the laziness which he shares with the ordinary man when it comes to writing, because his genius demands to be heard, it is not merely of an empty desire for fame that he obeys, it is a matter of conscience.  Let those who work coldly and calmly keep silence, for they have no conception of what it means to work under the spur of inspiration – the dread, the terror of rousing the sleeping lion whose roaring moves us to the very depth of our being.  To sum up:  be strong, simple, and true; here is an aim for every moment of the day, and it is always useful.

The Journal of Eugene Delacroix, edited by Hubert Wellington

Comments are welcome! 

 

Pearls from artists* # 339

 Untitled c-print, 24” x 20,” reference photo for “Shamanic,” Soft Pastel on Sandpaper, 38” x 58”

Untitled c-print, 24” x 20,” reference photo for “Shamanic,” Soft Pastel on Sandpaper, 38” x 58”

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I have no love for reasonable painting.  There is in me an old leaven, some black depth which must  be appeased.  If I am not quivering and excited like a serpent in the hands of a soothsayer I am uninspired.  I must recognize this and accept it.  Everything good that I have done has come to me in this way.

The Journal of Eugene Delacroix, edited by Hubert Wellington

Comments are welcome! 

 

Pearls from artists* # 171

Barbara at work, Photo:  Marianne Barcellona

Barbara at work, Photo: Marianne Barcellona

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We should do everything calmly and only react emotionally to great works of art or noble deeds.  Work quietly and without hurrying.  As soon as you begin to sweat and get excited, be careful.  Slack painting is the painting of a slacker.

The Journal of Eugene Delacroix, edited by Hubert Wellington

Comments are welcome! 

 

Pearls from artists* # 168

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

How strange the human mind is!  When I first began, I think I should have been willing to work at it from the tops of a church steeple, whereas now, even to think of finishing requires a real effort.  And all this, simply because I have been away from it for so long.  It is the same with my picture and with everything else I do.  There is always a thick crust to be broken before I can give my whole heart to anything; a stubborn piece of ground, as it were, that resists the attacks of plough and hoe.  But with a little perseverance the hardness suddenly gives and it becomes so rich in fruit and flowers that I am quite unable to gather them all.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!     

Pearls from artists* # 166

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

An interesting discussion at Leblond’s about geniuses and outstanding men.  Dimier thinks that great passions are the source of all genius!  I think that it is imagination alone or, what amounts to the same thing, a delicacy of the senses that makes some men see where others are blind, or rather, makes them see in a different way.  I said that even great passions joined to imagination usually lead to a disordered mind.  Dufresne made a very true remark.  He said that fundamentally, what made a man outstanding was his absolutely personal way of seeing things.  He extended this to include great captains, etc. and, in fact, great minds of every kind.  Hence, no rules whatsoever for the greatest minds; rules are only for people who merely have talent, which can be acquired.  The proof is that genius cannot be transmitted.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome! 

Pearls from artists* # 165

"The Space Between," soft pastel on sandpaper, 58" x 38"

“The Space Between,” soft pastel on sandpaper, 58″ x 38″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

When I have painted a fine picture I have not given expression to a thought!  That is what they say.  What fools people are!  They would strip painting of all its advantages.  A writer has to say almost everything in order to make himself understood, but in painting it is as if some mysterious bridge were set up between the spirit of the persons in the picture and the beholder.  The beholder sees figures, the external appearance of nature, but inwardly he meditates; the true thinking that is common to all men.  Some give substance to it in writing, but in so doing they lose the subtle essence.  Hence, grosser minds are more easily moved by writers than by painters or musicians.  The art of the painter is all the nearer to man’s heart because it seems to be more material.  In painting, as in external nature, proper justice is done to what is finite and to what is infinite, in other words, to what the soul finds inwardly moving in objects that are known through the senses alone.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!