Blog Archives

Pearls from artists* # 168

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

How strange the human mind is!  When I first began, I think I should have been willing to work at it from the tops of a church steeple, whereas now, even to think of finishing requires a real effort.  And all this, simply because I have been away from it for so long.  It is the same with my picture and with everything else I do.  There is always a thick crust to be broken before I can give my whole heart to anything; a stubborn piece of ground, as it were, that resists the attacks of plough and hoe.  But with a little perseverance the hardness suddenly gives and it becomes so rich in fruit and flowers that I am quite unable to gather them all.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!     

Q: What’s on the easel today?

Work in progress, 58" x 38"

Work in progress, 58″ x 38″

A:  Today is a day off to let my fingers heal.  When I start a new painting, I need to rub my fingers against raw sandpaper in order to blend the pastel.  With each layer the tooth of the paper gets filled up and becomes smooth, but until then my fingers suffer.  Here is what I’ve been working on.

This pastel-on-sandpaper painting is an experiment, an attempt to push myself to work with bigger and bolder imagery.  The photograph clipped to the easel is one of my favorites.  It depicts a Judas that Bryan and I found in a dusty shop in Oaxaca.  Among the Mexican and Guatemalan folk art pieces that I’ve collected are five papier mâché Judases.  This particular one is unusual because it has a cat’s head attached at the forehead (the purple shape in the painting).  They are not made to last.  In some Mexican towns large Judases are hung from church steeples, loaded with fireworks, and burned in effigy.  This takes place at 10:00 a.m. on the Saturday morning before Easter.  Mexico is primarily a Catholic nation, of course, so effigy burning is done as symbolic revenge against Judas for his betrayal of Christ.  The Judas in the photo is small and meant for private burning by a family (rather than in public at a church) so by bringing it back to New York I rescued it from a fire-y death!  In sympathy with Mexican tradition, I began this painting last Saturday (the day before Easter) at 10 a.m.

Comments are welcome!