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Pearls from artists* # 523

Washington, DC

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

How strange the human mind is! When I first began, I think I should have been willing to work at it from the top of a church steeple, whereas now, even to think of finishing requires a real effort. And all this, simply because I have been away from it for so long. It is the same with my picture and with everything else I do. There is always a thick crust to be broken before I can give my whole heart to anything; a stubborn piece of ground, as it were, that resists the attack of plough and hoe. But with a little perseverance the hardness suddenly gives and it becomes so rich in fruit and flowers that I am quite unable to gather them all.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!

Pearls from artists* # 168

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

How strange the human mind is!  When I first began, I think I should have been willing to work at it from the tops of a church steeple, whereas now, even to think of finishing requires a real effort.  And all this, simply because I have been away from it for so long.  It is the same with my picture and with everything else I do.  There is always a thick crust to be broken before I can give my whole heart to anything; a stubborn piece of ground, as it were, that resists the attacks of plough and hoe.  But with a little perseverance the hardness suddenly gives and it becomes so rich in fruit and flowers that I am quite unable to gather them all.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!     

Pearls from artists* # 133

 

"Broken," soft pastel on sandpaper, 50" x 70" framed

“Broken,” soft pastel on sandpaper, 50″ x 70″ framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

O writer, with what words will you describe the entire configuration of objects with the perfection that the drawing gives?  If you are unable to draw, you will describe everything confusedly and convey little knowledge of the true form of objects; and you will deceive yourself in imagining that you can satisfy your hearer when you speak of the configuration of any corporeal object bounded by surfaces.

                                                                                                        – Leonardo da Vinci 

Quoted in Leonardo’s Brain:  Understanding da Vinci’s Creative Genius by Leonard Shlain

Comments are welcome!        

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