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Q: Would you speak about someone who made a difference in your professional life?

Buddhist monk reciting prayers over my aunt’s ashes, Leh, Ledakh, India

A: The first person who comes to mind is my favorite aunt, Teddie. In 1997 she was headed to northern California to attend a three-year-plus silent Tibetan Buddhist retreat at her teacher’s center. Teddie offered me her West 13th Street 6th-floor walkup apartment to live in while she was away. At the time I was based in Alexandria, VA and had just had my first solo exhibition at an important West 57th Street gallery, Brewster Fine Arts. I was becoming increasingly frustrated with the limited Washington, DC art scene, had outgrown everything it had to offer, and felt New York pulling me towards new and exciting professional adventures.

Teddie, recognizing my talent and ambition, made it possible for me to afford to move to New York. She had practiced Tibetan Buddhism for 35 years and was soon to become a Buddhist lama. She had an extraordinary mind and thought deeply about life. We used to talk for hours. Teddie was 7 years older and seemed more like a sister than an aunt. Indeed, she was my first soul mate. (I have been extremely fortunate to have had two such relationships in my life. The other was my late husband, Bryan).

Unfortunately, dear Aunt Teddie died at the age of 67 of breast cancer. Recently, on September 25 I honored her life in a short ceremony on a mountain cliff in Leh, Ladakh (India). A Tibetan Buddhist monk recited prayers as he placed her ashes among the rocks.

Comments are welcome!

Pearls from artists* # 523

Washington, DC

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

How strange the human mind is! When I first began, I think I should have been willing to work at it from the top of a church steeple, whereas now, even to think of finishing requires a real effort. And all this, simply because I have been away from it for so long. It is the same with my picture and with everything else I do. There is always a thick crust to be broken before I can give my whole heart to anything; a stubborn piece of ground, as it were, that resists the attack of plough and hoe. But with a little perseverance the hardness suddenly gives and it becomes so rich in fruit and flowers that I am quite unable to gather them all.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!

Q: What was the first review you ever received and how did you get it?

My first review!

A: In 1991 I was in my late thirties and had resigned my active duty Naval commission two years before. I had been an artist for five years. I was anxious to get my pastel paintings exhibited, seen by an audience, and collected! As I worked hard to build my resume, I hustled to exhibit in all sorts of spaces that were not galleries: restaurants, hospitals, real estate offices, law offices, theaters, doctors’ offices, and more. The goal was to just get the work out of my home studio.

In December 1991 I presented a solo exhibition at Dumbarton Church in Georgetown (Washington, DC). For years Bryan had volunteered to set up chairs, a Steinway piano, and other miscellaneous equipment for their classical music concert series. The church’s downstairs space was used to showcase artists’ work. So I applied for a solo exhibition, was accepted, and got my first review in a local Washington, DC newspaper called “Eye Wash!”

Moral: artists have to work extremely hard for every little thing that comes our way!

Comments are welcome!

Travel photo of the month*

Cherry blossoms, Washington, DC

*Favorite travel photos that have not yet appeared in this blog

Comments are welcome!

Pearls from artists* # 470

Richard Deutsch, “Against the Day,” 2007, granite, at the Kreeger Museum, Washington, DC

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Find something that is really meaningful to you – that’s the most important thing at the end of the day. Even if everything goes well, there are still those moments when you see through it all. Once you see through the fame, money, and social life and ask yourself, “What is this all about? What does it mean to me?,” it’s great if you can see your work clearly and what you see is important to you.

That same thing goes on the other side. When you wonder why you go through all this hell and you’re struggling, at least you see that you really enjoy what you do, you are fulfilled by what you make, and you believe in it.

Charles Long, artist, Mount Baldy, CA, in Art/Work: Everything You Need to Know (And Do) As You Pursue Your Art Career by Heather Darcy Bhandari and Jonathan Melber

Comments are welcome!

Travel photo of the month*

Hillwood Estate, Washington, DC

*Favorite travel photos that have not yet appeared in this blog

Comments are welcome!

Travel photo of the month*

Hillwood Estate, Washington, DC

*Favorite travel photos that have not yet appeared in this blog

For more info on Hillwood Estate, Museum, and Gardens, please see https://www.hillwoodmuseum.org/

Comments are welcome!

Travel photo of the month*

Calder Room at the National Gallery of Art, Washington, DC

Calder Room at the National Gallery of Art, Washington, DC

*Favorite travel photos that have not yet appeared in this blog

Comments are welcome!

Travel photo of the month*

Smithsonian Castle, Washington, DC

Smithsonian Castle, Washington, DC

* Favorite travel photos that have not yet appeared in this blog

Comments are welcome!

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