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Q: How did you prepare yourself to change careers and work as a professional artist?

"Krystyn," charcoal, 22" x 30", 1989

“Krystyn,” charcoal, 22″ x 30″, 1989

A:   At the age of 33 I was a Lieutenant in the Navy, working as  computer analyst at the Pentagon.  I was very unhappy with my job.  I began looking for something else to do and discovered The Art League School in Alexandria, VA.  I enrolled in classes with Lisa Semerad, then spent the next two years developing my drawing skills using black and white media (charcoal, pencils, conte crayon, etc.). 

After that I moved on to color media and began studying soft pastel with Diane Tesler.  During this time I was still in the Navy, working the midnight shift at the Pentagon and taking art classes during the day.  I was a very motivated student.    

After three years or so I was getting quite proficient as an artist, entering local juried shows, winning prizes, garnering press coverage, etc.  Prior to my career change, I worked hard to develop my portrait skills.  I really didn’t know how I could make a living other than by making commissioned portraits.  I volunteered to run a weekly life drawing class at The Art League School in Alexandria, VA, where I made hundreds of figure drawings using charcoal. 

I spent a semester commuting between Washington, DC and New York to study artistic anatomy at the New York Academy of Art.  I spent another semester studying gross anatomy with medical students at Georgetown University Medical School.  Over time I became skilled at making photo-realistic portraits.  In 1989 I resigned from the Navy and have worked full-time as a visual artist ever since.

Comments are welcome!

Q; When did you start pursuing art as a serious profession?

"Answering the Call," 58" x 38," soft pastel on sandpaper

“Answering the Call,” 58″ x 38,” soft pastel on sandpaper

A:  In the mid-1980s I was in my early 30s, a lieutenant on active duty in the Navy, working a soul-crushing job as a computer analyst on the midnight shift in a Pentagon basement.  It was literally and figuratively the lowest point of my life.  Remembering the joyful Saturdays of my youth when I had studied with a local New Jersey painter, I enrolled in a drawing class at the Art League School in Alexandria, Virginia.  Initially I wasn’t very good, but it was wonderful to be around other women  and a world away from the “warrior mentality” of the Pentagon.  I was having fun!  Soon I enrolled in more classes and became a very motivated full-time art student who worked nights at the Pentagon. As I studied and improved my skills, I discovered my preferred medium – soft pastel on sandpaper.  Although I knew I had found my calling, for more than a year I agonized over whether or not to leave the Navy.  Once I did decide, there was another delay.  The Navy was experiencing a manpower shortage so Congress had enacted a stop-loss order, which prevented officers from resigning.  I could only do what was allowed under the order.  I submitted my resignation effective exactly one year later:  on September 30, 1989.  With Bryan’s (my late husband) support,  I left the Navy that day.  So I think of myself as having  been a professional artist beginning on October 1, 1989.  I should mention that I remained in the Navy Reserve for the next 14 years, working mainly at the Pentagon two days every month and two weeks each year (commuting between New York and Washington, DC after I moved in 1997).  Finally on November 1, 2003, I officially retired as a Navy Commander.

Comments are welcome!