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Q: When you left the Navy you worked on commission as a portrait artist. Why don’t you accept commissions now?

Barbara's studio

Barbara’s studio

A:  As I have often said, I left the active duty Navy in 1989, but stayed in the Reserves. The Reserves provided a small part-time income and the only requirement was that I work one weekend a month and two weeks each year.  Plus, I could retire after 13 more years and receive a pension.  (In 2003 I retired from the Navy Reserve as a Commander).  The rest of the time I was free to pursue my studio practice. 

For a short time I made a living making commissioned photo-realist portraits in soft pastel on sandpaper.  However, after a year I became very restless.  I remember thinking, “I did not leave a boring job just to make boring art!”  I lost interest in doing commissions because what I wanted to accomplish personally as an artist did not coincide with what portrait clients wanted.  I finished my final portrait commission in 1990 and never looked back. 

To this day I remain reluctant to accept a commission of any kind.  So I am completely free to paint whatever I want, which is the only way to evolve as a serious, deeply committed artist.      

Comments are welcome!

Q: How did you prepare yourself to change careers and work as a professional artist?

"Krystyn," charcoal, 22" x 30", 1989

“Krystyn,” charcoal, 22″ x 30″, 1989

A:   At the age of 33 I was a Lieutenant in the Navy, working as  computer analyst at the Pentagon.  I was very unhappy with my job.  I began looking for something else to do and discovered The Art League School in Alexandria, VA.  I enrolled in classes with Lisa Semerad, then spent the next two years developing my drawing skills using black and white media (charcoal, pencils, conte crayon, etc.). 

After that I moved on to color media and began studying soft pastel with Diane Tesler.  During this time I was still in the Navy, working the midnight shift at the Pentagon and taking art classes during the day.  I was a very motivated student.    

After three years or so I was getting quite proficient as an artist, entering local juried shows, winning prizes, garnering press coverage, etc.  Prior to my career change, I worked hard to develop my portrait skills.  I really didn’t know how I could make a living other than by making commissioned portraits.  I volunteered to run a weekly life drawing class at The Art League School in Alexandria, VA, where I made hundreds of figure drawings using charcoal. 

I spent a semester commuting between Washington, DC and New York to study artistic anatomy at the New York Academy of Art.  I spent another semester studying gross anatomy with medical students at Georgetown University Medical School.  Over time I became skilled at making photo-realistic portraits.  In 1989 I resigned from the Navy and have worked full-time as a visual artist ever since.

Comments are welcome!

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