Blog Archives

My blog turns 5 years old today! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:     The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

 

If you were to visit my studio now, you would see more tables chock full of pastels and notice other changes from the photo above.  Most importantly though, what I wrote five years ago still rings true! 

Comments are welcome!     

Pearls from artists* # 109

A few of Barbara's pastels

A few of Barbara’s pastels

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A BOX OF PASTELS

I once held on my knees a simple wooden box

in which a rainbow lay dusty and broken.

It was a set of pastels that had years before

belonged to the painter Mary Cassatt,

and all of the colors she’d used in her work

lay open before me.  Those hues she’d most used,

the peaches and pinks, were worn down to stubs,

while the cool colors – violet, ultramarine –

had been set, scarcely touched, to one side.

She’d had little patience with darkness, and her heart

held only a measure of shadow.  I touched

the warm dust of those colors, her tools,

and left there with light on the tips of my fingers.

Ted Kooser in Art and Artists:  Poems, edited by Emily Fragos

Comments are welcome!

 

Pearls from artists* # 66

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I craved honesty, yet found dishonesty in myself.  Why commit to art?  For self-realization, or for itself?  It seemed indulgent to add to the glut unless one offered illumination.

Often I’d sit and try to draw, but all the manic activity in the streets, coupled with the Vietnam War, made my efforts seem meaningless.  I could not identify with political movements.  In trying to join them I felt overwhelmed by yet another form of bureaucracy.  I wondered if anything I did mattered.

Robert [Mapplethorpe] had little patience with these introspective bouts of mine.  He never seemed to question his artistic drives, and by his example, I understood that what matters is the work:  the string of words propelled by God becoming a poem, the weave of color and graphite scrawled upon the sheet that magnifies His motion.  To achieve within the work a perfect balance of faith and execution.  From this state of mind comes a light, life-charged.

Patti Smith in Just Kids

Comments are welcome! 

Q: You seem very disciplined. Do you ever have a day when you just can’t get excited about working?

Studio wall with self-portrait

Studio wall with self-portrait

A:  That happens occassionaly, but I still go to the studio to work.  You know the expression, “99% of life is just showing up”?  Well, of course I have to show up at my studio to accomplish anything so I keep fairly regular studio hours – 7 to 8 hours a day, 4 or 5 days a week.  In the evening I spend another hour or two answering email, sending out applications, organizing jpegs, etc.  When you are an artist there is always work to do and for some of it, no one else can do it.  That’s  because no one else knows the work from the inside the way the maker does.  I like what Twyla Tharp says in her book, “The Creative Habit.”  In order to progress an artist needs good work habits that become a daily routine.  And Chuck Close likes to say, “Inspiration is for amateurs,” meaning a professional works whether she’s in the mood or not.  I completely agree so I keep working and slowly moving ahead. 

As Tchaikovsky wrote in a letter to a friend:

We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood.  If we wait for the mood, without endeavoring to meet it halfway, we easily become indolent and apathetic.  We must be patient, and believe that inspiration will come to those who can master their disinclination.  A few days ago I told you I was working every day without any real inspiration.  Had I given way to my disinclination, undoubtedly I should have drifted into a long period of idleness.  But my patience and faith did not fail me, and today I felt that inexplicable glow of inspiration of which I told you; thanks to which I know beforehand that whatever I write today will have power to make an impression, and to touch the hearts of those who hear it.

Quoted in Eric Maisel’s A Life in the Arts. 

Comments are welcome.