Blog Archives

Pearls from artists* # 292

"White Star," soft pastel on sandpaper, 38" x 58"

“White Star,” soft pastel on sandpaper, 38″ x 58″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… many tools may share qualities of fine design with works of art.  We are in the presence of a work of art only when it has no preponderant instrumental use, and when its technical and rational foundations are not pre-eminent.  When the technical organization or the rational order of a thing overwhelms our attention, it is an object of use.  On this point Lodoli anticipated the doctrine of functionalists of our century when he declared in the eighteenth century that only the necessary is beautiful.  Kant, however, more correctly said on the same point that the necessary cannot be judged beautiful, but only right or consistent.  In short, a work of art is as useless as a tool is useful.  Works of art are as unique and irreplaceable as tools are common and expendable. 

George Kubler in The Shape of Time:  Remarks on the History of Things

Comments are welcome! 

Pearls from artists* # 109

A few of Barbara's pastels

A few of Barbara’s pastels

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A BOX OF PASTELS

I once held on my knees a simple wooden box

in which a rainbow lay dusty and broken.

It was a set of pastels that had years before

belonged to the painter Mary Cassatt,

and all of the colors she’d used in her work

lay open before me.  Those hues she’d most used,

the peaches and pinks, were worn down to stubs,

while the cool colors – violet, ultramarine –

had been set, scarcely touched, to one side.

She’d had little patience with darkness, and her heart

held only a measure of shadow.  I touched

the warm dust of those colors, her tools,

and left there with light on the tips of my fingers.

Ted Kooser in Art and Artists:  Poems, edited by Emily Fragos

Comments are welcome!

 

Pearls from artists* # 32

Untitled, 24" x 24" chromogenic print, edition of 5

Untitled, 24″ x 24″ chromogenic print, edition of 5

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We most certainly need to test ourselves against the most extreme possibilities, just as we are probably obligated not to express, share, and impart the most extreme possibility before it has entered the work of art.  As something unique that no other person would and should understand, as one’s personal madness, so to speak, it has to enter into the work to attain its validity and to reveal there an internal law, like primary patterns that become visible only in the transparency of artistic creation.  There exist nonetheless two freedoms to express oneself that seem to me the ultimate possibilities:  one in the presence of the created object, and the other within one’s actual daily life where one can show another person what one has become through work, and where one may in this way mutually support and help and (here understood humbly) admire one another.  In either case, however, it is necessary to show results, and it is neither lack of confidence nor lack of intimacy nor a gesture of exclusion if on does not reveal the tools of one’s personal becoming that are marked by so many confusing and tortuous traits, which are valid only for one’s own use.

Ulrich Baer, editor, The Wisdom of Rilke

Comments are welcome!