*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
A remark by Kurt Anderson suggests how the Internet discourages patient gazing: “Waiting a while to get everything you want… was a definition of maturity. Demanding satisfaction right this instant, on the other hand, is a defining behavior of seven-year-olds. The powerful appeal of the Web is not just the ‘community’ it enables but its instantane-ity… as a result… delayed gratification itself came to seem quaint and unnecessary.” A survey commissioned by the Visitor Studies Association reveals the impact of impatience. On average, the survey found, Americans spend between six and ten seconds looking at individual works in museums. (Is it just a coincidence that six to ten seconds is also the average time browsers perch on any given Web page?) Yet how many hours a day do we spend absorbed by one or another electronic screen? For the Los Angeles artist Ed Ruscha (born 1937) brief encounters won’t suffice. When somebody asked, “How can you tell good art from bad?” Ruscha replied, “With a bad work you immediately say, ‘Wow!’ But afterwards, you think, ‘Hum? Maybe not.’ With a good work, the opposite happens.” Time is lodged at the heart of Ruscha’s formula, as the artwork becomes part of our temporal experience. In order to know what is good, we need to take a breather. Even to know what is bad, we need to pause.
Arden Reed in Slow Art: The Experience of Looking, Sacred Images to James Turrell
Comments are welcome!
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
It is the artist’s innate sensitivity that makes him special and different from other professionals. Society expects the artist to be more compassionate and understanding in order to bring out that which will enlighten, inspire and encourage life in his work. His vocation should not just be art for art’s sake.
Where the average person sees an old beat-up shark, the artist sees a symbol of beauty in aging and imagines bringing out those qualities that the shark has sheltered over the ages by means of artistic creation. To the intelligent and sensitive artist, the homeless man lying on the street corner is a symbol that reminds us of what we, as a society, should do to better our living.
Sensitivity comes into play when leaves that appear to the general viewer to be uniformly green are seen by the sensitive artist to be different shades, tones and nuances of green. Without sensitivity, special and important characteristics of nature will be out of sight and out of reach to the viewing layman. Only the obvious, the average and the common will reveal themselves to the insensitive artist. The endurance of certain works will depend on what the artist has captured with the help of his sensitivity and because of the ideas behind the work.
Samuel Adoquei in Origin of Inspiration: Seven Short Essays for Creative People
Comments are welcome!