Blog Archives
Pearls from artists* # 478
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Artists, because of the demands of their personality, their sense of personal mission, and their need to create or perform, are driven people. Mixed with the love of work can be a terrible pressure to work. For many artists, and especially for the most productive ones, the line between love and obsession and between love and compulsion blurs or disappears entirely. Are such artists free or are they slaves to their work?
In The Artist and Society the psychiatrist Lawrence Hatterer said of such an artist:
His most recognizable trait is his recurring daily preoccupation with translating artistic activity into accomplishment. The consuming intensity of this artistic pursuit brooks no interference or obstacles. His absorption with the creative act is such that he experiences continually what the average artist feels only infrequently when he reaches unusual levels of creative energy with accompanying output. He appears to be incapable of willful nonproductivity.
This is Picasso working for 72 hours straight. This is van Gogh turning out 200 finished paintings during his 444 days in Arles. The artist who is “incapable of willful nonproductivity” is a workaholic for whom little in life, apart from his artistic productivity and accomplishment, may have any meaning.
Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists
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Pearls from artists* # 391
“Schemer,” Soft Pastel on Sandpaper, 26” x 20,” packed up for transport to the framer
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Charles Baudelaire once wrote that the frenzy of the artist
is the fear of not going fast enough, of letting the phantom escape before the synthesis has been extracted and pinned down; it is that terrible fear which takes possession of all great artists and gives them such a passionate desire to become masters of every means of expression so that the orders of the brain may never be perverted by the hesitations of the hand and that finally… ideal execution, may become as unconscious and spontaneous as is digestion for a healthy man after dinner.
Mary Gabriel in Ninth Street Women
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Q: All artists go through periods when they wonder what it’s all for. What do you do during times like that?
Barbara’s studio
A: Fortunately, that doesn’t happen very often. I love and enjoy all the varied facets involved in being an artist, even (usually) the business aspects, which are just another puzzle to be solved. I have vivid memories of being stuck in a job that I hated, one I couldn’t immediately leave because I was an officer in the US Navy. Life is so much better as a visual artist!
I appreciate the freedom that comes with being a self-employed artist. The words of Louise Bourgeois often come to mind: “It is a PRIVILEGE to be an artist.”
Still, with very valid reasons, no one ever said that an artist’s life is easy. It is difficult at every phase.
Books offer sustenance, especially ones written by artists who have endured all sorts of terrible hardships beyond anything artists today are likely to experience. I just pick up a favorite book. My Wednesday blog posts, “Pearls from artists,” give some idea of the sorts of inspiration I find. I read the wise words of a fellow artist, then I get back to work. As I quickly become intrigued with the problems at hand in a painting, all doubt usually dissolves.
I try to remember: Artists are extremely fortunate to be doing what we love and what we are meant to do with our short time on earth. What more could a person ask?
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Q: What’s the point of all of this? Shouldn’t we be discussing how to end poverty or promote world peace? What can art do?
Lightning Field, Quemado, NM
A: I happen to recently have read an inspiring book by Anne Bogart, the theater director. It’s called, “and then you act: making art in an unpredictable world” and she talks about such issues. I’ll quote her wise words below:
“Rather than the experience of life as a shard, art can unite and connect the strands of the universe. When you are in touch with art, borders vanish and the world opens up. Art can expand the definition of what it means to be human. So if we agree to hold ourselves to higher standards and make more rigorous demands on ourselves, then we can say in our work, ‘We have asked ourselves these questions and we are trying to answer them, and that effort earns us the right to ask you, the audience, to face these issues, too.’ Art demands action from the midst of the living and makes a space where growth can happen.
One day, particularly discouraged about the global environment, I asked my friend the playwright Charles L. Mee, Jr., ‘How are we supposed to function in these difficult times? How can we contribute anything useful in this climate?’ ‘Well,’ he answered, ‘You have a choice of two possible directions. Either you convince yourself that these are terrible times and things will never get better and so you decide to give up, or, you choose to believe that there will be a better time in the future. If that is the case, your job in these dark political and social times is to gather together everything you value and become a transport bridge. Pack up what you cherish and carry it on your back to the future.'”
“… In the United States, we are the targets of mass distraction. We are the objects of constant flattery and manufactured desire. I believe that the only possible resistance to a culture of banality is quality. To me, the world often feels unjust, vicious, and even unbearable. And yet, I know that my development as a person is directly proportional to my capacity for discomfort. I see pain, destructive behavior and blindness of the political sphere. I watch wars declared, social injustices that inhabit the streets of my hometown, and a planet in danger of pollution and genocide. I have to do something. My chosen field of action is the theater.”
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