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Pearls from artists* # 478

Julie Mehretu exhibition at the Whitney Museum of American Art

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Artists, because of the demands of their personality, their sense of personal mission, and their need to create or perform, are driven people. Mixed with the love of work can be a terrible pressure to work. For many artists, and especially for the most productive ones, the line between love and obsession and between love and compulsion blurs or disappears entirely. Are such artists free or are they slaves to their work?

In The Artist and Society the psychiatrist Lawrence Hatterer said of such an artist:

His most recognizable trait is his recurring daily preoccupation with translating artistic activity into accomplishment. The consuming intensity of this artistic pursuit brooks no interference or obstacles. His absorption with the creative act is such that he experiences continually what the average artist feels only infrequently when he reaches unusual levels of creative energy with accompanying output. He appears to be incapable of willful nonproductivity.

This is Picasso working for 72 hours straight. This is van Gogh turning out 200 finished paintings during his 444 days in Arles. The artist who is “incapable of willful nonproductivity” is a workaholic for whom little in life, apart from his artistic productivity and accomplishment, may have any meaning.

Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

Pearls from artists* # 403

"Avenger," soft pastel on sandpaper, 58" x 38"

“Avenger,” soft pastel on sandpaper, 58″ x 38″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

There is that doctor who opens you up, does exactly the right thing, closes you up – and you die.  He failed to take the chance that might have saved you.  Art is a crucial, dangerous operation we perform on ourselves.  Unless we take a chance, we die in art.

Morty Feldman quoted in Mary Gabriel in Ninth Street Women

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Pearls from artists* # 35

Westbeth, NYC

Westbeth, NYC

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

An individual who has committed himself to art and now wrestles within it, having given up everything else, has also become strict, you see.  Such a person is more likely to warn off others rather than to beckon them to enter into a realm of the most tremendous demands and indescribable sacrifices.  And for someone sitting at his desk, behind closed doors, matters are still relatively simple:  at least he has to deal only with himself.  But an actor, even when his work originates in the purest experiences of his being, stands in the open and performs his work in the open where he is exposed to all the influences, detractions, disturbances, and even hostilities that originate in his colleagues and his audience and that interrupt, distract, and split him off.  For him things are more difficult than for anyone else; above all, he needs to lure success and to base his actions on it.  And yet what misery results if this new alignment leads him to abandon the inner direction that had driven him into art in the first place.  He seems to have no self; his job consists in letting others dictate selves to him.  And the audience, once it has accepted him, wants to preserve him within the limits where it finds entertainment; and yet his achievement depends entirely upon his capacity to maintain an interior constancy through all kinds of changes, blindly, like a madman.  Any momentary weakness toward success is as sure to doom him as giving in and drawing on applause as a precondition for their creation spells doom for the painter or poet.

Ulrich Baer in The Wisdom of Rilke

Comments are welcome!     

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