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Pearls from artists* # 363

Thar Desert, Rajasthan, India

Thar Desert, Rajasthan, India

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Beauty seems to need quiet and take patience, both to create it and to experience it.

If our minds are filled with a long and urgent “to do” list, we are not likely to slow down enough to appreciate anything but the next line we can draw through our never-ending list.  Yet every now and again something stops us. It arrests our constant external activity and search.  We can be stopped by the way the light filters through the trees in our backyard or hits a bowl of fruit on our kitchen table.  And we are silenced, even if momentarily.  We can be stopped by cave paintings as easily as by a thirteenth-century tapestry or a fifteenth-century Italian painting.  We may be impressed by the craft of the artist, but almost always what moves us most deeply is the beauty that is expressed by the craft.

In the face of beauty, we are silenced because beauty expresses silence.  In lavishing attention on the object of the artwork, the consciousness of the artist can touch something divine, some transcendental quality, and that transcendent element now resides in the artwork.  How do we know it?  We feel it. We experience it.  Our heart responds to that sublime quality the artist infused into the work.

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

Q: What do you like to do in the darkroom that brings a print up to perfection?

Untitled chromogenic print, edition of 5

Untitled chromogenic print, edition of 5

A:  That’s a trade secret!  I will say that if I am going to sign my name to a piece of art, it must be the best that I am able to make at that point in time.  In the darkroom I work deliberately and patiently.  I slow down.  I make tests, then refine and adjust the yellow and magenta filters on the enlarger to emphasize certain parts of the negative – bring an area forward, make another recede, brighten up something, etc.  Usually as a last step, I dodge and burn some areas, always trying to produce the best, most eye-catching images I can. 

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