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My blog turns 7 years old on July 15! Here is the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio

Barbara’s Studio with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

__________

Lucky me to still be in the same studio!  However, when you visit now, you see more tables full of pastels, more postcards on the walls, newer pastel paintings, etc.  What I wrote seven years ago still rings true.  

Most importantly, THANK YOU to my 42,000+ subscribers for taking this journey with me!

Comments are welcome!     

Q: What do you see when you look back at your early efforts?

"Myth Meets Dream," soft pastel on sandpaper, 47" x 38,” 1993

“Myth Meets Dream,” soft pastel on sandpaper, 47″ x 38,” 1993

A:  I see continuity in subject matter and in medium, surely.  For thirty-three years I have been inspired by foreign travel and research.  In addition, I remain devoted to pushing the limits of what soft pastel can do and to promoting its merits as a fine art medium.

Here and there I see details I would render differently now; not exactly mistakes, but things that maybe could be done better.  Fortunately, I think, all of my work is framed behind glass or plexiglas, making it extremely difficult to attempt revisions.  

Perhaps most important of all, I see the long personal road that has advanced my work to its present state.  Each gain has been hard-fought.  

Comments are welcome!

Q: How do you feel about donating your work to auctions?

Studio with work in progress

Studio with work in progress

A:  Generally, it depends on who is doing the asking.  If it’s an organization that has been supportive of my work, I am pleased to help with fundraising.  If the organization and I have never connnected before, their out-of-the-blue request sometimes feels disrespectful.  Artists invest decades, vast amounts of money, and plenty of blood, sweat, and tears to become the skilled creators that we are.  And a New York artist’s overhead is considerable.  I know of no artists who create their hard-fought work only to give it away. 

Under certain conditions, however, I will participate.  Here is my response to a recent donation request.  

Dear…

Thank you for contacting me.  Certainly your organization sounds worthwhile.

However, you may be unaware that artists may deduct ONLY the cost of materials when we give our work to auctions.  I suggest that you ask one of your supporters to buy a pastel painting and donate it next year (there is a one-year waiting period for collectors to take this tax deduction).  Then we have a win-win-win!  I get paid, the collector/donor gets to enjoy owning my beautiful work for a year AND take a tax deduction for the full amount that he/she paid for it.  Plus, your organization gets to sell my painting at next year’s auction.

Don’t you agree this is a better approach for everyone involved?

Sincerely…

 

Comments are welcome!   

  

   

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