Blog Archives
Q: Why art? (Question from “Arts Illustrated”)
A: I love this question! I remember being impressed by Ursula von Rydingsvard’s exhibition at the National Museum of Women in the Arts a few years ago. What stayed with me most was her wall text, “Why Do I Make Art by Ursula von Rydingsvard.” There she listed a few dozen benefits that art-making has brought to her life.
I want to share some of my own personal reasons for art-making here, in no particular order. My list keeps changing, but these are true at least for today.
1. Because I love the entire years-long creative process – from foreign travel whereby I discover new source material, to deciding what I will make, to the months spent in the studio realizing my ideas, to packing up my newest pastel painting and bringing it to my Virginia framer’s shop, to seeing the framed piece hanging on a collector’s wall, to staying in touch with collectors over the years and learning how their relationship to the work changes.
2. Because I love walking into my studio in the morning and seeing all of that color! No matter what mood I am in, my spirit is immediately uplifted.
3. Because my studio is my favorite place to be… in the entire world. I’d say that it is my most precious creation. It’s taken more than twenty-two years to get it this way. I hope I never have to move!
4. Because I get to listen to my favorite music all day.
5. Because when I am working in the studio, if I want, I can tune out the world and all of its urgent problems. The same goes for whatever personal problems I am experiencing.
6. Because I am devoted to my medium. How I use pastel continually evolves. It’s exciting to keep learning about its properties and to see what new techniques will develop.
7. Because I have been given certain gifts and abilities and that entails a sacred obligation to USE them. I could not live with myself were I to do otherwise.
8. Because art-making gives meaning and purpose to my life. I never wake up in the morning wondering, how should I spend the day? I have important work to do and a place to do it. I know this is how I am supposed to be spending my time on earth.
9. Because I have an enviable commute. To get to my studio it’s a thirty-minute walk, often on the High Line early in the morning before throngs of tourists have arrived.
10. Because life as an artist is never easy. It’s a continual challenge to keep forging ahead, but the effort is also never boring.
11. Because each day in the studio is different from all the rest.
12. Because I love the physicality of it. I stand all day. I’m always moving and staying fit.
13. Because I have always been a thinker more than a talker. I enjoy and crave solitude. I am often reminded of the expression, “She who travels the farthest, travels alone.” In my work I travel anywhere.
14. Because spending so much solitary time helps me understand what I think and feel and to reflect on the twists and turns of my unexpected and fascinating life.
15. Because I learn about the world. I read and do research that gets incorporated into the work.
16. Because I get to make all the rules. I set the challenges and the goals, then decide what is succeeding and what isn’t. It is working life at its most free.
17. Because I enjoy figuring things out for myself instead of being told what to do or how to think.
18. Because despite enormous obstacles, I am still able to do it. Art-making has been the focus of my life for thirty-three years – I was a late bloomer – and I intend to continue as long as possible.
19. Because I have been through tremendous tragedy and deserve to spend the rest of my life doing exactly what I love. The art world has not caught up yet, but so be it. This is my passion and my life’s work and nothing will change that.
20. Because thanks to the internet and via social media, my work can be seen in places I have never been to and probably will never go.
21. Because I would like to be remembered. The idea of leaving art behind for future generations to appreciate and enjoy is appealing.
Comments are welcome!
Q: What do you see when you look back at your early efforts?
“Myth Meets Dream,” soft pastel on sandpaper, 47″ x 38,” 1993
A: I see continuity in subject matter and in medium, surely. For thirty-three years I have been inspired by foreign travel and research. In addition, I remain devoted to pushing the limits of what soft pastel can do and to promoting its merits as a fine art medium.
Here and there I see details I would render differently now; not exactly mistakes, but things that maybe could be done better. Fortunately, I think, all of my work is framed behind glass or plexiglas, making it extremely difficult to attempt revisions.
Perhaps most important of all, I see the long personal road that has advanced my work to its present state. Each gain has been hard-fought.
Comments are welcome!
Q: What significance do the folk art figures that you collect during your travels have for you?
Barbara’s studio
A: I am drawn to each figure because it possesses a powerful presence that resonates with me. I am not sure exactly how or why, but I know each piece I collect has lessons to teach.
Who made this thing? How? Why? Where? When? I feel connected to each object’s creator and curiosity leads me to become a detective and an archaeologist to find out more about them and to figure out how to best use them in my work.
The best way I can describe it: after nearly three decades of seeking out, collecting, and using these folk art figures as symbols in my work, the entire process has become a rich personal journey towards gaining greater knowledge and wisdom.
Comments are welcome!
Pearls from artists* # 104
View of Roden Crater
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
As the art historian Jack Flam has noted: ‘Art constantly reinvents itself. As time passes, new audiences find new ideas and inspiration in it and keep reframing its meanings and significance in fresh ways. Art also encourages new mental attitudes and ways of looking as it travels across space; some of these attitudes and beliefs might have been inconceivable to the people who created it, but the art nonetheless manages to speak persuasively and to create fresh images in other collective imaginations.’
Quoted in Man Ray, African Art, and the Modernist Lens by Wendy A. Grossman
Comments are welcome!
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