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Pearls from artists* # 358

Elephanta Caves, India

Elephanta Caves, India

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

According to [Rudolph] Arnheim, the way in which we reach out for and grasp the “object we see, either in our immediate range of perception or through the medium of photography, is dependent upon who we are and what we recognize from past experience.”  The visual imprint of an image, an object, or a scene upon the eye is not at all “objective.”  In the image-making process of thinking, we see, sort, and recognize according to the visual phenomenology of our own experience.  What people notice in the “same” image – be it an image of a dancing Siva or a film of a Hindu festival procession – depends to some extent on what they can recognize from the visual experience of the past.  In the case of film, of course, it also depends on what the photographer has seen and chosen to show us.  Arnheim writes that the eye and the mind, working together in the process of  cognition, cannot simply note down images that are “already there.”  “We find instead that direct observation, far from being a mere ragpicker, is an exploration of the form-seeking, form-imposing mind, which needs to understand but cannot until it casts what it sees into manageable models.”

Diana L. Eck in Darsan:  Seeing the Divine Image in India

Comments are welcome!

Q: Do you have a daily ritual that helps you start working in your studio?

Barbara's studio

Barbara’s studio

A:  In the morning before I start working on a pastel painting, I read for roughly half an hour.  Usually I read something art-related; for example, see the books that are quoted on Wednesdays in “Pearls from artists” on this blog.

As I’m reading, I look across at the painting on my easel and soon something becomes apparent, some annoying thing that needs immediate attention.  That’s where I will begin.  As I’m looking, of course, I’m thinking and the solution to a technical problem becomes obvious.  Before I know it, I’m up and working, slowly improving the painting as I go.    

Comments are welcome!   

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