Blog Archives

Q: Do you believe in “the big break” for artists?

Barbara’s studio

Barbara’s studio

A:  Big breaks sometimes happen, but in my experience an artist’s life is made up of single-minded dedication, persistence, hard work, and lots of small breaks.  I recently finished reading “Failing Up:  How to Take Risks, Aim Higher, and Never stop Learning” by Leslie Odom, Jr.   I like what he has to say to artists here:

“The biggest break is the one you give yourself by choosing to believe in your wisdom, in what you love, and in the gifts you have to offer the waiting world.”

Comments are welcome! 

Pearls from artists* # 131

Self-portrait at an architect's estate in Sri Lanka

Self-portrait at an architect’s estate in Sri Lanka

 

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Sister Corita

Immaculate Heart College Art Department Rules

Rule 1:    Find a place you trust, and then try trusting it for a while.

Rule 2:    General duties of a student:  pull everything out of your teacher.  Pull everything out of your fellow students.

Rule 3:    General duties of a teacher:  Pull everything out of your students.

Rule 4:    Consider everything an experiment.

Rule 5:    Be self-disciplined.  This means finding someone wise or smart and choosing to follow them.  To be disciplined is to follow in a good way.  To be self-disciplined is to follow in a better way.

Rule 6:    Nothing is a mistake.  There’s no win and no fail.  There’s only make.

Rule 7:    The only rule is work.  If you work it will lead to something.  It’s the people who do all of the work all of the time who eventually catch on to things.

Rule 8:    Don’t try to create and analyze at the same time.  They’re different processes.

Rule 9:    Be happy whenever you can manage it.  Enjoy yourself.  It’s lighter than you think.

Rule 10:  “We’re breaking all the rules.  Even our own rules. And how do we do that?  By leaving plenty of room for X quantities.”  John Cage

Helpful Hints:  Always be around.  Come or go to everything.  Always go to classes.  Read anything you can get your hands on.  Look at movies carefully, often.  Save everything – it might come in handy later.

There should be new rules next week.    

Quoted in The Art Life:  On Creativity and Career by Stuart Horodner

Comments are welcome!

 

Pearls from artists* # 77

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Current possibilities far exceed any single artist’s capacity to engage them.  Indeed, every known way of making art ever undertaken in all of history is included in today’s inventory of creative options.  Thus, choices must be made.  This has had a profound effect upon the quantity and diversity of skills needed to become an artist today.  In addition to such conventional forms of artistic talent as visual acuity, manual dexterity, sensitivity, intelligence, ingenuity, and perseverance, contemporary artists must also be able to make judicious choices from a limitless inventory of alternatives.  A decisive aspect of the creative act involves choosing a place  amid possibilities that are as bountiful as they are eclectic and chaotic.  Even this process entail choices.  In staking the territory they wish to occupy, artists may be gluttons or ascetics, connoisseurs or  commoners.  Relationships between artists and their career choices may be lifelong and monogamous, or sequentially monogamous, polygamous, or promiscuous.  But artists’ options even exceed selecting precedents.  Free access to the past is amplified by freedom to augment the catalogue of creative options by contributing something new.

In the Making:  Creative Options for Contemporary Art by Linda Weintraub

Comments are welcome!