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Q; When did you start pursuing art as a serious profession?

"Answering the Call," 58" x 38," soft pastel on sandpaper

“Answering the Call,” 58″ x 38,” soft pastel on sandpaper

A:  In the mid-1980s I was in my early 30s, a lieutenant on active duty in the Navy, working a soul-crushing job as a computer analyst on the midnight shift in a Pentagon basement.  It was literally and figuratively the lowest point of my life.  Remembering the joyful Saturdays of my youth when I had studied with a local New Jersey painter, I enrolled in a drawing class at the Art League School in Alexandria, Virginia.  Initially I wasn’t very good, but it was wonderful to be around other women  and a world away from the “warrior mentality” of the Pentagon.  I was having fun!  Soon I enrolled in more classes and became a very motivated full-time art student who worked nights at the Pentagon. As I studied and improved my skills, I discovered my preferred medium – soft pastel on sandpaper.  Although I knew I had found my calling, for more than a year I agonized over whether or not to leave the Navy.  Once I did decide, there was another delay.  The Navy was experiencing a manpower shortage so Congress had enacted a stop-loss order, which prevented officers from resigning.  I could only do what was allowed under the order.  I submitted my resignation effective exactly one year later:  on September 30, 1989.  With Bryan’s (my late husband) support,  I left the Navy that day.  So I think of myself as having  been a professional artist beginning on October 1, 1989.  I should mention that I remained in the Navy Reserve for the next 14 years, working mainly at the Pentagon two days every month and two weeks each year (commuting between New York and Washington, DC after I moved in 1997).  Finally on November 1, 2003, I officially retired as a Navy Commander.

Comments are welcome!

Q: What’s on the easel today?

"Stalemate" in progress, soft pastel on sandpaper

“Stalemate” in progress, soft pastel on sandpaper

A:  A large pastel painting with the working title, “Stalemate.”  For this one I went back and looked at some of my older 35 mm negatives.  I selected one from 2002 and made the photographic print you see above, clipped to the left side of my easel.  This piece is unusual because I’m painting the figures much larger than life size.  I like what’s happening, but it’s slow going.

The title, “Stalemate,” is one I thought of some twenty-odd years ago, when I worked on a very different pastel painting – a table top still life – by that name.  Somehow I couldn’t resolve some problems in the composition so I never finished it.  I haven’t seen it in years, but it’s probably sitting in my Alexandria basement someplace. 

Comments are welcome!