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Q: Did your military experience become a building block on which you formed your artistic ideas?

"Answering the Call," 58" x 38," soft pastel on sandpaper, 2000

“Answering the Call,” 58″ x 38,” soft pastel on sandpaper, 2000

A:  In my younger days boredom was a strong motivator. I left the active duty Navy out of boredom. I couldn’t bear not being intellectually challenged (most of my jobs consisted of paper-pushing), not using my flying skills, and not developing my artistic talent. In what must be a first, by spending a lot of time and money training me for jobs I hated, the Navy turned me into a hard-working, devoted, and disciplined artist! Once I left the Navy there was no plan B. It was “full speed ahead” to become an accomplished artist.

Comments are welcome!

Q: You often speak about the Mexican and Guatemalan figures in your paintings as serving a function analogous to actors in a repertory company. In other words, a particular figure plays a different role each time it appears in one of your pastel paintings. Would you choose a figure and show how you have painted it through the years?

 

A Chinese-influenced figure Barbara brought home from Mexico City in 1999.

A Chinese-influenced figure Barbara brought home from Mexico City in 1999.

"Answering the Call," 58" x 38," soft pastel on sandpaper, 2000

“Answering the Call,” 58″ x 38,” soft pastel on sandpaper, 2000

"Scene Fifteen:  Living Room," 26" x 20" soft pastel on sandpaper, 2002

“Scene Fifteen: Living Room,” 26″ x 20″ soft pastel on sandpaper, 2002

 

"Sometimes He Still Tried to Restrain Her," 58" x 38," soft pastel on sandpaper, 2005

“Sometimes He Still Tried to Restrain Her,” 58″ x 38,” soft pastel on sandpaper, 2005

"Scene Twenty-One:  Living Room," 20" x 26," soft pastel on sandpaper, 2006 (see feet at top)

“Scene Twenty-One: Living Room,” 20″ x 26,” soft pastel on sandpaper, 2006 (see feet at top)

"Epiphany," 38" x 58," soft pastel on sandpaper, 2012

“Epiphany,” 38″ x 58,” soft pastel on sandpaper, 2012

"The Ancestors," soft pastel on sandpaper, 58" x 38," 2013

“The Ancestors,” soft pastel on sandpaper, 58″ x 38,” 2013

"The Storyteller," soft pastel on sandpaper, 20" x 26," 2014

“The Storyteller,” soft pastel on sandpaper, 20″ x 26,” 2014

And she is in the painting that is on my easel now.  See my February 14 blog post.

Comments are welcome!

Q; When did you start pursuing art as a serious profession?

"Answering the Call," 58" x 38," soft pastel on sandpaper

“Answering the Call,” 58″ x 38,” soft pastel on sandpaper

A:  In the mid-1980s I was in my early 30s, a lieutenant on active duty in the Navy, working a soul-crushing job as a computer analyst on the midnight shift in a Pentagon basement.  It was literally and figuratively the lowest point of my life.  Remembering the joyful Saturdays of my youth when I had studied with a local New Jersey painter, I enrolled in a drawing class at the Art League School in Alexandria, Virginia.  Initially I wasn’t very good, but it was wonderful to be around other women  and a world away from the “warrior mentality” of the Pentagon.  I was having fun!  Soon I enrolled in more classes and became a very motivated full-time art student who worked nights at the Pentagon. As I studied and improved my skills, I discovered my preferred medium – soft pastel on sandpaper.  Although I knew I had found my calling, for more than a year I agonized over whether or not to leave the Navy.  Once I did decide, there was another delay.  The Navy was experiencing a manpower shortage so Congress had enacted a stop-loss order, which prevented officers from resigning.  I could only do what was allowed under the order.  I submitted my resignation effective exactly one year later:  on September 30, 1989.  With Bryan’s (my late husband) support,  I left the Navy that day.  So I think of myself as having  been a professional artist beginning on October 1, 1989.  I should mention that I remained in the Navy Reserve for the next 14 years, working mainly at the Pentagon two days every month and two weeks each year (commuting between New York and Washington, DC after I moved in 1997).  Finally on November 1, 2003, I officially retired as a Navy Commander.

Comments are welcome!

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