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Pearls from artists* # 458

"Prophecy," Soft Pastel on Sandpaper, 58" x 38" Image, 70" x 50" Framed
“Prophecy,” Soft Pastel on Sandpaper, 58″ x 38″ Image, 70″ x 50″ Framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

When I have painted a fine picture I have not given expression to a thought! That is what they say. What fools people are! They would strip painting of all its advantages. A writer has to say almost everything in order to make himself understood, but in painting it is as if some mysterious bridge were set up between the spirit of the persons in the picture and the beholder. The beholder sees figures, the external appearance of nature, but inwardly he meditates; the true thinking that is common to all men. Some give substance to it in writing, but in so doing they lose the subtle essence. Hence, grosser minds are more easily moved by writers than by painters or musicians. The art of the painter is all the nearer to man’s heart because it seems to be more material. In painting, as in external nature, proper justice is done to what is finite and to what is infinite, in other words, to what the soul finds inwardly moving in objects that are known through the senses alone.

The Journal of Eugene Delacroix edited by Hubert Wellington

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Pearls from artists* # 401

"Prophecy," Soft Pastel on Sandpaper, 58" x 38" Image, 70" x 50" Framed

“Prophecy,” Soft Pastel on Sandpaper, 58″ x 38″ Image, 70″ x 50″ Framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Said [Larry] Rivers,

You could be poor and think your life worthwhile – the dance of the mind, the leap of the intellect.  If you made art that did not sell immediately, or ever, you could still be involved in a meaningful, inspiring activity that was a reward in itself, and you could show it to the people you dreamed of thrilling with your efforts; your friends were your audience.  They were sitting on your shoulder watching you work.  That was the opera of the time… Pursuit of a career and commercial success was selling out, losing one’s soul.  In painting, writing, music, and dance, nothing could be more shameful.   

Mary Gabriel in Ninth Street Women

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Pearls from artists* # 397

"Prophecy," soft pastel on sandpaper, 58" x 38"

“Prophecy,” soft pastel on sandpaper, 58″ x 38″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Our species requires a greater capacity to see into the Real, not just the outer universe of the senses but also the inner cosmos of the psyche, the normally invisible dimensions.  Near the end of his life, Jung said to an English journalist, “The only real danger that exists is man himself… His psyche should be studied because we are the origin of all coming evil.”  It is a beautiful statement until the word studied comes up, at which point we are reminded that Jung at bottom was a rationalist:  he refused to see that while psychology could talk brilliantly about the soul, it could never descend into its depths.  For this we need imagination, madness, prophecy – art.  We must understand that creative expression is not a pastime or distraction, but a psychonautic science in its own right.  Allowed to operate in freedom, it can illuminate the darkness beyond our field of vision.     

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action

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Pearls from artists* # 347

“Prophecy,” on view in “Worlds Seen & Unseen” at Westbeth Gallery, NYC

“Prophecy,” on view in “Worlds Seen & Unseen” at Westbeth Gallery, NYC

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Like  the cyclotrons of physicists, the artistic work is a machine for uncovering hidden layers of reality.  It gives us insight into the psychic forces that shape the world, enabling us to divine where we come from and where we are heading.  It is in this sense that art can be said to be prophetic.    

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

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Start/Finish of “Prophecy,” Soft Pastel on Sandpaper, 58” x 38”

Start

Start

Finish

Finish

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Q: What’s on the easel today?

Work in progress

Work in progress

A:  This 58 x 38” pastel painting needs some finishing touches before it’s done.  It has a new title, “Prophecy.”

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Pearls from artists* # 299

"The Storyteller," soft pastel on sandpaper, 20" x 26"

“The Storyteller,” soft pastel on sandpaper, 20″ x 26″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The artist is always and for all time a seer, and artistic creation is always and for all time an act of prophecy.

The artist does not choose the prophecy.  Rather, the prophetic shines through her work.  It comes from elsewhere.

The artist therefore needs enough courage to stay true to the work at hand.  Even greater courage is required of those to whom the finshed work is given, for their interests will always recommend dismissing the vision for fear of its implications.  

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

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