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Pearls from artists* # 534

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Today I am quoting myself:

I strive to always do what is best for my art practice. It’s difficult sometimes, but it’s important to ignore most of what other people say. They mean well, but advice to artists is often misguided, especially when it is unsolicited. Fortunately, our hearts are never wrong.

B. Rachko on a Facebook post

Comments are welcome!


Q; What was the spark that got you started? (Question from Barbara Smith via Facebook)

Ensign Barbara Rachko, circa 1983
Ensign Barbara Rachko, circa 1983

A: If I had to select one factor, I would say, profound unhappiness with my professional life. In 1986 I was a 33-year-old Navy Lieutenant working as a computer analyst at the Pentagon. I hated my job, was utterly miserable, and moreover, I was trapped because unlike many jobs, it’s not possible to resign a Naval commission with two weeks notice.

My bachelor’s degree had been in psychology. When I was in my 20s and before I joined the Navy, I had spent two years and my own money training to become a licensed commercial pilot and Boeing-727 Flight Engineer. I had planned to become an airline pilot, but due to bad timing (airlines were not hiring pilots when I was looking for a job), that did not come to pass.

So there I was with absolutely no interest, nor any training in computers, working for the Joint Chiefs of Staff, and completely bored. I knew I must have taken a wrong turn somewhere and resolved to make a significant change. Searching around, I discovered a local art school, the Art League School in Alexandria, VA, and began taking drawing classes.

One drawing class lead to more. Within a couple of years, due to being highly motivated to change my life, my technical skills rapidly improved. Even then, I believe, it was obvious to anyone who knew me that I had found my calling. I resigned my active duty Naval commission and have been a fulltime professional artist since October 1989. (Note: For fourteen more years I remained in the Naval Reserve working, mostly at the Pentagon, one weekend a month and two weeks each year, and retired as a Navy Commander in 2003).

Life as a self-employed professional artist is endlessly varied, fulfilling, and interesting. I have never once regretted my decision to pursue art fulltime!

Comments are welcome!

Q: How long did it take you to discover the properties of pastel? (Liliana Mileo via facebook.com/BarbaraRachko/)

A charcoal self-portrait from 1988

A charcoal self-portrait from 1988

A:  After I moved to Alexandria, Virginia in the mid-1980s, I began taking classes at The Art League School.  I was extremely unhappy with my career as a Navy Lieutenant.  I worked as a computer analyst for the Joint Chiefs of Staff at the Pentagon and was searching for something more meaningful to do with my life.

I began with a basic drawing class and liked it.  I enrolled in more classes and decided to spend two years working exclusively in black and white media, such as charcoal and graphite, before advancing to color.  Fortunately, early on I found an excellent teacher in Lisa Semerad.  I remain deeply grateful for the strong foundational drawing skills she imparted to me during this period.

After two years I tried water color and soon discovered it was not for me, a perfectionist who needs to refine my work.  Then I tried etching and found it extremely tedious, the antithesis of instant gratification.

Finally I began studying soft pastel with Diane Tesler, another gifted teacher, and fell in love with this medium!  At The Art League School I also completed a one-week workshop with Albert Handell, who introduced me to the archival sandpaper that I have been using ever since.

While I fell in love with pastel three decades ago, I continue to learn about its unique properties.  I am pushing pastel to new heights as my techniques continually evolve.  This is a lifetime journey of learning.  I hope to never know all there is to know.

Comments are welcome!  Ask anything and I may answer in a future blog post, as you’ve seen here with Liliana’s question.

 

Top Facebook posts for 2019

December was a busy month!  Here are the most-liked 2019 posts – all dated December – from my Facebook fan page.  Please join a worldwide audience of 48,000 people who follow my work at https://facebook.com/BarbaraRachko.  Thank you for your support!


Comments are welcome!

Q: It is well known that you gain inspiration from foreign travel. Has anyone ever accused you of stealing their culture?

The Bolivian side of Lake Titicaca

The Bolivian side of Lake Titicaca

A:  Yes, a few people have done so via comments on Facebook.  It came as a shock.  

The logic of such an accusation presumes ownership.   I don’t believe any person has a claim to owning culture.

Travel is arguably the best education there is.  My travels around the world, supplemented with lots of research once I return home, are an important part of my creative process.  This is how I develop ideas to forge a way ahead.  It is difficult and solitary work.

Every artist is tasked with remaining open to influences – however, wherever, and whenever they appear.   Somewhat late in life, travel as a source of inspiration found ME.  And it has been a blessing!

People around the world have become fans.  Many send messages of thanks saying they are proud that some aspect of their country’s culture has inspired my work.  I am always grateful and touched to know this.

Comments are welcome!

Q: As a full-time artist what are you thankful for?

The list

The list

A:  Recently I came across one of my Facebook posts from approximately five years ago.  Everything on the list above still rings true, perhaps now even moreso.

Comments are welcome!

Q: What art marketing activities do you put into practice regularly that work most successfully for you?

"White Star," 38" x58", ready to go to the framer

“White Star,” 38″ x58″, ready to go to the framer

A:  This blog continues to be a crucial part of my overall art practice.  Blogging twice a week forces me to think deeply about my work and to explain it clearly to others.  The process has helped develop a better understanding about why I make art and has encouraged me to become a better writer.

As far as art marketing, one crucial activity is to take my blog posts and repurpose them for posting on social media sites.  Several years ago I realized it’s necessary to put as much time and energy into getting my work seen online as it is to create it.  

With the help of my assistant I stay active on Facebook, LinkedIn, Twitter, Instagram, and Pinterest.  I have sold paintings, in the 5-figure price range, through Facebook connections. Recently an art critic reconnected with me via LinkedIn and went on to write a scholarly essay about my “Black Paintings.”  In December she’s presenting a paper at Oxford University and will speak about my work.

I find online marketing to be a constant challenge, but it does yield rewards.  You never know what might happen.

Comments are welcome!        

Q: In January you traveled to south India to study ancient Hindu temples. Would you share some photographs from your trip?

A:  Yes, I spent three weeks in south India.  Having embarked from brown and gray New York City in winter, I was quite stunned by all of the gorgeous color.  Since I already posted many photos onto my Facebook and Pinterest pages (see links on sidebar), I will focus on Madurai, perhaps the most photogenic city I visited.

Tirumalai Nayaka Palace, Madurai

Tirumalai Nayaka Palace, Madurai

Tirumalai Nayaka Palace, Madurai

Tirumalai Nayaka Palace, Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Madurai

Meenaksi Sundaresvarar Temple, Madurai

Meenaksi Sundaresvarar Temple, Madurai

Meenaksi Sundaresvarar Temple, Madurai

Meenaksi Sundaresvarar Temple, Madurai

Outside Meenaksi Sundaresvarar Temple, Madurai

Outside Meenaksi Sundaresvarar Temple, Madurai

Comments are welcome!

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