Blog Archives

Pearls from artists* # 510

Beginning

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

This excerpt is from “The Blank Page,” published in Last Tales (1957). An old woman who earns her living by storytelling is speaking:

“With my grandmother,” she said, “I went through a hard school. ‘Be loyal to the story,’ the old woman would say to me, ‘Be eternally and unswervingly loyal to the story.’ ‘Why must I be that, grandmother?’ I asked her. ‘Am I to furnish you with reasons, baggage?’ She cried. ‘And you mean to be a story-teller! Why, you are to become a story-teller, and I shall give you the reasons! Hear then: Where the story-teller is loyal, eternally and unswervingly loyal to the story, there, in the end, silence will speak. Where the story has been betrayed, silence is but emptiness. But we, the faithful, when we have spoken our last word, will hear the voice of silence. Whether a small snotty lass understands it or not.’

“Who then, she continues, “tells a finer tale than any of us? Silence does. And where does one read a deeper tale than upon the most precious book? Upon the blank page. When a royal and gallant pen, in the moment of its highest inspiration, has written down its tale with the rarest ink of all – where, then, may one read a still deeper, sweeter, merrier and more cruel tale than that? Upon the blank page.”

Isak Dinesen in Women at Work: Interviews from the Paris Review

Comments are welcome!

Pearls from artists* # 268

The Lightning Field, Quemado, NM

The Lightning Field, Quemado, NM

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Visit 1:  October 18 and 19, 2003, continued

The long drive through the New Mexico landscape from Albuquerque to Quemado to The Lightning Field is a gradual slide towards emptiness, a prelude.   Or a subtle preparation for the eyes and mind.  The practicalities of the cabin provide simple accommodations that address basic needs to maximize focus and minimize distraction.

At The Lightning Field, my experience of space began with the rational structure of the grid, which was eventually exposed by less rational behavior.

The artwork locates the physical environment in space, and my perception of the work began with the regularity of the grid.  The repeated unit of the pole was not significant, only its holistic engagement between human scale and the landscape of the sky.  Then the effects of light, the anticipation of cycles of change through the course of the day and night, the possibility of the unpredictable.    

Laura Raicovich in At The Lightning Field

Comments are welcome!

%d bloggers like this: